

For the Annunciation · 25 March
One object, sold whole: Gallerie dell'Accademia di Venezia (record in the Catalogo generale dei Beni Culturali, Ministero della Cultura) holds it as 734b. 2 sheets, one edition, $229 — the printed panels hang level within 0.0%.
A printed card goes in the parcel with your message and the work’s museum record. No price is shown anywhere in the parcel. Enter the recipient’s address at checkout.
0 / 240The certificate’s balance is applied at checkout; any remainder is paid there. Check a balance or buy one.
Gabriel comes in on red sandals with a white lily held up, his robe still moving from the stride; across the seam Our Lady kneels at her desk, the book open, and lifts one hand. The ceiling is coffered and studded with gold, the walls are veined stone, and a window behind her looks out on a hill town. These two canvases were the outer doors of the organ at Santa Maria dei Miracoli in Venice; the Gallerie dell'Accademia explains that the Annunciation showed when they were shut, and Saints Peter and Paul, the Paul now lost, when they opened. The Italian state catalogue sees in the painted marbles the Miracoli's own interior, finished in 1489. Designed by Giovanni Bellini and probably painted by his workshop. Close the doors, and the room recalls the church.
The panels hang in a row at one image height; the hung images measure about 22.5 in across, before any gap between frames.
| Held by | Gallerie dell'Accademia di Venezia (record in the Catalogo generale dei Beni Culturali, Ministero della Cultura) · 734b the museum’s record |
|---|---|
| Source file | Wikimedia Commons · (Venice) Angelo annunciante e Vergine annuciata - Giovanni Bellini - Gallerie Accademia.jpg |
| Licence | Public domain |
| Panel · left | The Annunciation (organ shutters from Santa Maria dei Miracoli) (left shutter) — 4,713 × 10,007 px |
| Panel · right | The Annunciation (organ shutters from Santa Maria dei Miracoli) (right shutter) — 4,678 × 9,999 px |
| Chain | Each panel taken from the source file above and cut to its own painted field; held as 2 print masters. |
Printed on demand as one edition. The whole image is printed on every sheet — never cropped to fit — so each panel carries an archival margin.