


One object, sold whole: Groeningemuseum — Musea Brugge holds it as 0000.GRO0208.I. 3 sheets, one edition, $349 — the printed panels hang level within 0.0%.
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High up, Christ sits in a pale circle of sky, robed in red, a small blue globe beneath His feet, and angels crowd the edges. Below Him nobody is waiting for the verdict: fires already burn along the horizon, a tent, a bell and a barrel hold their torments, and the boats go on. The Groeningemuseum describes a typically Boschian universe, paradise on the left wing and hell on the right, crowded with extraordinary people, animals and fantastical creatures, and calls the triptych a conversation piece for courtly circles. The Web Gallery of Art reads its weight as the all-besetting evil and perennial human stupidity that make the world a hell even before the day of judgment, and records doubts about the attribution to Hieronymus Bosch. On the left, a white tower stands by quiet water.
The panels hang in a row at one image height; the hung images measure about 27.6 in across, before any gap between frames.
| Held by | Groeningemuseum — Musea Brugge · 0000.GRO0208.I the museum’s record |
|---|---|
| Source file | Wikimedia Commons · The Last Judgment, ca. 1486.jpg |
| Licence | Public domain |
| Panel · left | The Last Judgment (left wing) — 6,974 × 25,150 px |
| Panel · centre | The Last Judgment (centre panel) — 14,820 × 24,977 px |
| Panel · right | The Last Judgment (right wing) — 7,020 × 25,023 px |
| Chain | Each panel taken from the source file above and cut to its own painted field; held as 3 print masters. |
Printed on demand as one edition. The whole image is printed on every sheet — never cropped to fit — so each panel carries an archival margin.