


For the Annunciation · 25 March
One object, one accession: the Met holds the three panels as 56.70a–c and they are sold whole. Three sheets, one edition - $139.
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Our Lady sits on the floor with her back against the bench, so deep in her book that she has not looked up, and Gabriel has already come in. On the table a lily stands in a jug beside a candlestick and another open book. The Met says a tiny figure with a cross comes down the golden rays through the round window on the left. Next door Saint Joseph drills holes in a board, and the Met notes the mousetraps on his bench and in his window, thought to recall Saint Augustine calling the Cross the devil's mousetrap. On the left the donor kneels at the open door, his wife behind him and a town messenger at the gate. The triptych came from Robert Campin's workshop in Tournai about 1427 to 1432, bought, the Met suggests, for private prayer in a house not unlike this one. The door is open.
The Met's order: the donors' wing, the Annunciation, Joseph's wing - the triptych open, as the Cloisters shows it. The panels are equal in height (64.1 and 64.5 cm, the Met's dimensions) and the printed images hang level within 0%, three 12 in images on three square sheets.
| Held by | The Metropolitan Museum of Art, New York · 56.70a–c the museum’s record |
|---|---|
| Source file | The Met’s own open-access file |
| Licence | Public domain (CC0, The Met) |
| Panel · donors | The Merode Altarpiece — The Donors (left wing) — 1,582 × 3,722 px |
| Panel · annunciation | The Merode Altarpiece — The Annunciation — 3,623 × 3,662 px |
| Panel · joseph | The Merode Altarpiece — Joseph in his Workshop (right wing) — 1,606 × 3,722 px |
| Chain | Each panel taken from the source file above and cut to its own painted field; held as 3 print masters. |
Printed on demand as one edition. The whole image is printed on every sheet — never cropped to fit — so each panel carries an archival margin.