

For Good Friday
One object, one accession: the Met holds the diptych as 33.92ab — object name 'Painting, diptych', both panels 56.5 × 19.7 cm — and it is sold whole. Two sheets, one edition, $323 — the printed images hang level within 0%.
A printed card goes in the parcel with your message and the work’s museum record. No price is shown anywhere in the parcel. Enter the recipient’s address at checkout.
0 / 240The certificate’s balance is applied at checkout; any remainder is paid there. Check a balance or buy one.
On the left the crowd is so thick with horses and hats that Christ is lifted clear of it only by the wood; below, Our Lady has folded into her blue mantle, and the women around her hold her. On the right the same Christ sits in red above the saints with His hands raised, and under an armoured angel a winged skeleton spreads itself over the damned. Jan van Eyck painted the pair about 1436 to 1438, and the Met keeps them as one diptych, each 56.5 by 19.7 cm, which came in through the Fletcher Fund in 1933. The Met reads them as Christ's sacrifice for mankind set beside the Last Judgment: the Crucifixion told as an eyewitness would have seen it, against a far landscape, the Judgment built in three tiers with each figure sized to its importance. First the wood of the Cross, then the throne.
The Met's tombstone gives one measurement for both — 'Each 22 1/4 x 7 2/3 in. (56.5 x 19.7 cm)' — so the panels are level on the object itself, and because both are height-limited on every sheet the printed images are level too, at any shared size. Order follows the museum's own title and the accession letters: the Crucifixion is 33.92a, the Last Judgment 33.92b.
| Held by | The Metropolitan Museum of Art, New York · 33.92ab the museum’s record |
|---|---|
| Source file | Wikimedia Commons · Jan van Eyck - Crucifixion.jpg |
| Licence | Public domain |
| Panel · left | The Crucifixion — 4,208 × 12,029 px |
| Panel · right | The Last Judgment — 3,954 × 11,720 px |
| Chain | Each panel taken from the source file above and cut to its own painted field; held as 2 print masters. |
Printed on demand as one edition. The whole image is printed on every sheet — never cropped to fit — so each panel carries an archival margin.