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The Annunciation
c. 1434–1436 · oil on canvas transferred from panel · National Gallery of Art, Washington
For the Annunciation · 25 March
Sizes
image 3.8×10 in on a 8×10 in sheet
What is dpi?
Dots per inch: how many pixels of the museum’s file go into each inch of paper. Our floor is 240 for sheets up to 20 inches, 180 up to 36 inches and 120 beyond, because a larger print is seen from further away. We never offer a sheet below the floor, and the number on each size is the one you receive.
Hahnemühle Photo Rag, 308 gsm cotton rag · pigment inks · printed to order
Printed to order · the whole painting, never cropped · if it arrives damaged, we replace it
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All editionsAbout this painting
Gabriel comes in smiling, crowned, in brocade, his wings speckled like a peacock's. Our Lady lifts both hands from her book. Down the gold rays from a high window the Holy Spirit descends toward her as a small white Dove. The National Gallery of Art counts those rays as seven, for the seven gifts of the Holy Spirit. It notes that Gabriel's sceptre is rock crystal, which medieval lapidaries called petrified water, and likens that change from liquid to stone to Christ's life, death and Resurrection. The angel's greeting is written in gold between them rather than spoken, and her reply is painted upside down, legible only from above: addressed, the Gallery reads, to God rather than to us. Jan van Eyck gives the Dove the whole height of the church to travel.
Sources: NGA, 'Stories and Symbols in Jan van Eyck's The Annunciation' · NGA object page and 'Stories and Symbols' essay
And the angel being come in, said unto her: Hail, full of grace, the Lord is with thee: blessed art thou among women.
Luke 1:28 · Douay-Rheims (Challoner)