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The Crucifixion
c. 1360s · tempera and gold on wood (walnut) · The Cleveland Museum of Art
For Good Friday
Sizes
image 3.9×10 in on a 8×10 in sheet
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Dots per inch: how many pixels of the museum’s file go into each inch of paper. Our floor is 240 for sheets up to 20 inches, 180 up to 36 inches and 120 beyond, because a larger print is seen from further away. We never offer a sheet below the floor, and the number on each size is the one you receive.
Hahnemühle Photo Rag, 308 gsm cotton rag · pigment inks · printed to order
Printed to order · the whole painting, never cropped · if it arrives damaged, we replace it
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All editionsAbout this painting
Christ's blood runs down the wood to where a kneeling figure in red, fair hair loose, holds it and looks up. At the left Our Lady, in a blue cloak, looks down; at the right a figure in a rose cloak looks up. Three keep one Cross, and their eyes divide. The Cleveland Museum of Art reads the work as probably part of a small altarpiece for private prayer, by Andrea da Firenze, active in Florence and Siena after the Black Death, when such work was charged with emotion. The bottom has been trimmed, cutting off the scene. What remains keeps the kneeling one nearest the wood, lowest, still looking up.
Sources: Cleveland Museum of Art, 'The Crucifixion', Andrea da Firenze, 1916.776, read 2026-09-24 · Cleveland Museum of Art open access, Internet Archive item clevelandart-1916.776-the-crucifixion, read 2026-09-24
Now there stood by the cross of Jesus, his mother and his mother's sister, Mary of Cleophas, and Mary Magdalen.
John 19:25 · Douay-Rheims (Challoner)