MonstranceMonstranceEditions
A Cemetery by The Limbourg Brothers, 1405–1408/9, The Metropolitan Museum of Art, The Cloisters
The Book of Hours

A Cemetery

1405–1408/9 · Ink, tempera, and gold leaf on vellum · The Metropolitan Museum of Art, The Cloisters

Sizes

image 7.5×10 in on a 8×10 in sheet

What is dpi?

Dots per inch: how many pixels of the museum’s file go into each inch of paper. Our floor is 240 for sheets up to 20 inches, 180 up to 36 inches and 120 beyond, because a larger print is seen from further away. We never offer a sheet below the floor, and the number on each size is the one you receive.

Hahnemühle Photo Rag, 308 gsm cotton rag · pigment inks · printed to order

Printed to order · the whole painting, never cropped · if it arrives damaged, we replace it

Free shipping, included in the price, to all eight countries we ship to. Dispatched in 2–4 working days — nothing to send back if it arrives damaged.

Send as a gift

A printed card goes in the parcel with your message and the work’s museum record. No price is shown anywhere in the parcel. Enter the recipient’s address at checkout.

0 / 240
Have a gift certificate?

The certificate’s balance is applied at checkout; any remainder is paid there. Check a balance or buy one.

All editions

About this painting

Two corpses lie in an open grave with the spades beside them, and above them two old men read their books. The Office of the Dead fills three full quires of the Belles Heures, and the Limbourg brothers gave it this single illumination; its prayers, Wendy A. Stein writes for the Met, were said to shorten a loved one's time in purgatory. Stein suggests the bodies may echo the tale of the three living and the three dead, and Timothy Husband calls the page one of the most enigmatic in the manuscript. Behind the cross a man raises his hand toward a tablet with nothing on it.

Sources: The Metropolitan Museum of Art, The Art of Illumination, folio 99r, with audio-guide transcript (Tom Campbell, Timothy Husband); read 2026-09-24 · Wendy A. Stein, 'Saint Bruno and the Founding of the Carthusian Order', The Art of Illumination blog, The Metropolitan Museum of Art, 14 April 2010; read 2026-09-24

For I know that my Redeemer liveth, and in the last day I shall rise out of the earth.

Job 19:25 · Douay-Rheims

Pray with this every day  ›
The Record
Date 1405–1408/9
Collection The Metropolitan Museum of Art, The Cloisters
Subject The Book of Hours
Season Ordinary Time
Master 3,565 px
License PD/CC0
Attribution The Metropolitan Museum of Art, The Cloisters · 54.1.1a, b

The original, as its museum records it

Artist Herman, Paul, and Jean de Limbourg (Franco-Netherlandish, active in France by 1399–1416)
Date 1405–1408/9
Medium Ink, tempera, and gold leaf on vellum
Dimensions 9 3/8 x 6 5/8 in. (23.8 x 16.8 cm)
Holding The Metropolitan Museum of Art, The Cloisters · 54.1.1a, b

Every line above is reproduced from the holding institution’s own catalogue entry, which is linked. Where their title, date or attribution differs from ours, theirs is the one printed here.

The file this print is made from

Source DP274405.jpg
Master 3,565 px on the long edge
Rights PD/CC0 — the photograph as well as the painting
At a glance
ArtistHerman, Paul, and Jean de Limbourg (Franco-Netherlandish, active in France by 1399–1416)
Date1405–1408/9
MuseumThe Metropolitan Museum of Art, The Cloisters
Accession54.1.1a, b
MediumInk, tempera, and gold leaf on vellum
Dimensions9 3/8 x 6 5/8 in. (23.8 x 16.8 cm)
Sheet sizes8×10 in, 11×14 in
Provenance of the file
Held byThe Metropolitan Museum of Art, The Cloisters · 54.1.1a, b the museum’s record
Source fileThe Met’s own open-access file
Licencepublic domain; the file released under CC0
Master2,663 × 3,565 px, the file our printer receives
ChainTaken from The Met’s own open-access file; held as our print master.

The sheets

8×10 in sheet 8×10 in · image 7.5×10 in · archival margin · 356 dpi
11×14 in sheet 11×14 in · image 10.5×14 in · archival margin · 255 dpi

Printed on demand. Public-domain masterwork, reproduced from a 3,565 px master of the original. The whole image is printed — never cropped to fit the sheet — so every sheet carries an archival margin, and the dimensions and resolution listed above are the ones you receive.