
Dolci gives the Virgin nothing to hold and nothing to look at. She folds her hands and the dark simply yields, a faint light gathering round a blue made of deep lapis lazuli and nothing cheaper. Tokyo traces the folded-hands type back to Titian's Madonnas. On the reverse of the panel is the prayer the picture is for — REGINA MARTIRUM ORA PRO NOBIS, Queen of Martyrs, pray for us. This is not a scene from the Passion. It is the mother afterwards, and the inscription tells you what to say to her.
Sources: The National Museum of Western Art, Tokyo, 'Mater Dolorosa', accession P.1998-0002; read 2026-08-27.
Printed on demand. Public-domain masterwork, reproduced from a 6,329 px master of the original. The whole image is printed — never cropped to fit the sheet — so every sheet carries an archival margin, and the dimensions and resolution listed above are the ones you receive.