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Adoration of the Shepherds
c. 1670 · oil on canvas · The Cleveland Museum of Art
For Christmas · 25 December
Sizes
image 8×10 in on a 8×10 in sheet
What is dpi?
Dots per inch: how many pixels of the museum’s file go into each inch of paper. Our floor is 240 for sheets up to 20 inches, 180 up to 36 inches and 120 beyond, because a larger print is seen from further away. We never offer a sheet below the floor, and the number on each size is the one you receive.
Hahnemühle Photo Rag, 308 gsm cotton rag · pigment inks · printed to order
Printed to order · the whole painting, never cropped · if it arrives damaged, we replace it
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Christmas: order by Monday 7 December for delivery in the United States before Christmas.
All editionsAbout this painting
Our Lady lifts the white cloth, and there is the Child, bare, on the straw. An old shepherd kneels with a basket of eggs; a young one comes in with a lamb held at his shoulder, a lamb brought to the Lamb. Saint Joseph sits close by. The Cleveland Museum of Art's note, by Charles Eppley, calls the scene the shepherds' witness account of the birth of Christ, and says Carlo Dolci dismissed many Baroque trends as superfluous, keeping an unobtrusive, placid style, a devout follower of the brotherhood of St Benedict. He was slow and meticulous, London's National Gallery adds. The basket is set down beside the manger.
Sources: The Cleveland Museum of Art, 'Adoration of the Shepherds', Carlo Dolci, acc. 1968.22, description (print view, with author credit). · The Cleveland Museum of Art Open Access API, record 1968.22. · The National Gallery, London, artist page, Carlo Dolci. · Luke 2:12-17, Douay-Rheims (Challoner).
And they came with haste: and they found Mary and Joseph, and the infant lying in the manger.
Luke 2:16 · Douay-Rheims (Challoner)