
Drag the print to move it. The painting is shown at true scale; where its shape differs from the sheet the print has a paper border, not drawn here. Prints are sold unframed, and a frame here is only for planning.
The Adoration of the Shepherds
c. 1605–1610 · Oil on canvas · The Metropolitan Museum of Art, New York
For Christmas · 25 December
Sizes
image 6.2×10 in on a 8×10 in sheet
What is dpi?
Dots per inch: how many pixels of the museum’s file go into each inch of paper. Our floor is 240 for sheets up to 20 inches, 180 up to 36 inches and 120 beyond, because a larger print is seen from further away. We never offer a sheet below the floor, and the number on each size is the one you receive.
Hahnemühle Photo Rag, 308 gsm cotton rag · pigment inks · printed to order
Printed to order · the whole painting, never cropped · if it arrives damaged, we replace it
Free shipping, included in the price, to all eight countries we ship to. Dispatched in 2–4 working days — nothing to send back if it arrives damaged.
Send as a gift
A printed card goes in the parcel with your message and the work’s museum record. No price is shown anywhere in the parcel. Enter the recipient’s address at checkout.
0 / 240Have a gift certificate?
The certificate’s balance is applied at checkout; any remainder is paid there. Check a balance or buy one.
Christmas: order by Monday 7 December for delivery in the United States before Christmas.
All editionsAbout this painting
The light of this night comes from the Child. The cloth is drawn back from Him, and the brightness He gives goes out to the shepherds' faces; one kneels with bare feet on the ground, and a white lamb lies on the floor. The Met names Him the source that lights them. The Grey Art Museum reads the shepherds' strained postures as unending adoration, and sees in the scene the elevation of the Host at Mass: the true body, born of the Virgin. At least eight versions of this night stood in El Greco's studio when he died in 1614, the Met records. Above, angels unroll a banner over Him.
Sources: Christ-child as literal light source illuminating the shepherds; figures 'woven tightly together' for viewer engagement · Second light near cave mouth read as the Holy Spirit; shepherds' unnatural poses read as unending adoration; composition echoes elevation of the Host at Mass · Museo Nacional del Prado, collection record, 'The Adoration of the Shepherds', El Greco (P02988)
And they came with haste: and they found Mary and Joseph, and the infant lying in the manger.
Luke 2:16 · Douay-Rheims (Challoner)