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The Adoration of the Shepherds by Gerard van Honthorst, 1622, Wallraf-Richartz-Museum, Cologne
Adoration of the Shepherds

The Adoration of the Shepherds

Gerrit van Honthorst (Dutch, 1592–1656)

1622 · Wallraf-Richartz-Museum & Fondation Corboud, Köln

For Christmas · 25 December

Sizes

image 9.5×8 in on a 10×8 in sheet

What is dpi?

Dots per inch: how many pixels of the museum’s file go into each inch of paper. Our floor is 240 for sheets up to 20 inches, 180 up to 36 inches and 120 beyond, because a larger print is seen from further away. We never offer a sheet below the floor, and the number on each size is the one you receive.

Hahnemühle Photo Rag, 308 gsm cotton rag · pigment inks · printed to order

Printed to order · the whole painting, never cropped · if it arrives damaged, we replace it

Free shipping, included in the price, to all eight countries we ship to. Dispatched in 2–4 working days — nothing to send back if it arrives damaged.

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About this painting

No lamp burns in the stable. The Child lies in the straw, Our Lady draws the cloth back from Him, and every face is lit from below, from Him. CODART, on the Wallraf-Richartz-Museum's 2017-18 exhibition, says the Christ Child is the sole light source; the art historian Carsten Schmalstieg counts only six figures, with an ox at the edge. The Uffizi notes that Italy knew Gerrit van Honthorst as Gherardo delle Notti, for his night scenes. The Metropolitan Museum of Art says the ox at the manger comes not from the Gospels but from Isaiah's prophecy. It leans in at Saint Joseph's shoulder.

Sources: Wallraf-Richartz-Museum & Fondation Corboud, Baroque collection, Gallery 2 · CODART, 'Wonderful - Honthorst's Adoration of the Shepherds', Wallraf-Richartz-Museum & Fondation Corboud · HNA News, 'Wundervoll: Honthorsts Anbetung der Hirten' · DOMRADIO.DE, interview with Carsten Schmalstieg · Gallerie degli Uffizi, 'Gherardo delle Notti. Bizarre paintings and cheerful suppers', 2015 · The Metropolitan Museum of Art, 'The Birth and Infancy of Christ in Italian Painting', Heilbrunn Timeline of Art History. · Glencairn Museum, 'Nativity: Visual Elements in the Nativity'. · Isaias 1:3, Douay-Rheims (Challoner).

And they came with haste: and they found Mary and Joseph, and the infant lying in the manger.

Luke 2:16 · Douay-Rheims (Challoner)

Pray with this every day  ›
The Record
Date 1622
Collection Wallraf-Richartz-Museum, Cologne
Subject Adoration of the Shepherds
Season Christmas
Master 3,948 px
License PD/CC0
Attribution Wallraf-Richartz-Museum & Fondation Corboud, Köln

The original, as its museum records it

Artist Gerrit van Honthorst
Date 1622
Holding Wallraf-Richartz-Museum & Fondation Corboud, Köln
Accession not published by the institution in a form we could read — wallraf.museum rate-limited every attempt (HTTP 429)

Every line above is reproduced from the holding institution’s own catalogue entry, which is linked. Where their title, date or attribution differs from ours, theirs is the one printed here.

The file this print is made from

Source Adoration of the shepherds, by Gerard van Honthorst.jpg
Master 3,948 px on the long edge
Rights PD/CC0 — the photograph as well as the painting
At a glance
ArtistGerrit van Honthorst (Dutch, 1592–1656)
Date1622
MuseumWallraf-Richartz-Museum & Fondation Corboud, Köln
Sheet sizes8×10 in, 11×14 in, 18×24 in
Provenance of the file
Held byWallraf-Richartz-Museum & Fondation Corboud, Köln the museum’s record
Source fileWikimedia Commons · Adoration of the shepherds, by Gerard van Honthorst.jpg
LicencePublic domain
Master3,948 × 3,328 px, the file our printer receives
ChainTaken from Wikimedia Commons; held as our print master.

The sheets

8×10 in sheet 10×8 in · image 9.5×8 in · archival margin · 416 dpi
11×14 in sheet 14×11 in · image 13×11 in · archival margin · 303 dpi
18×24 in sheet 24×18 in · image 21.4×18 in · archival margin · 185 dpi

Printed on demand. Public-domain masterwork, reproduced from a 3,948 px master of the original. The whole image is printed — never cropped to fit the sheet — so every sheet carries an archival margin, and the dimensions and resolution listed above are the ones you receive.