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The Four Horsemen of the Apocalypse
c. 1498 · Woodcut on paper (gravure sur bois, papier) · Petit Palais, Musée des Beaux-Arts de la Ville de Paris
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image 7.2×10 in on a 8×10 in sheet
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All editionsAbout this painting
Four horses come on at a gallop, and nobody on the ground gets clear in time. The Met's curators read Albrecht Dürer's woodcut as a distilled version of the first four seals of Revelation and name the riders left to right: Death on his pale horse, Famine with his scales, War carrying a sword, Plague with bow and crown. Earlier illustrated Bibles, the Met says, made the scene staid; here parallel lines set a middle tone, and against it horses and men overlap on a strong diagonal. An angel flies above them with open wings. At bottom left, the museum notes, the Mouth of Hell opens, ready for victims.
Sources: The Metropolitan Museum of Art, 'Four Horsemen of the Apocalypse, from "The Apocalypse"', Albrecht Dürer, ca. 1497/1498, 40.139.6(5); read 2026-09-24 · The Metropolitan Museum of Art, 'The Four Horsemen, from "The Apocalypse"', Albrecht Dürer, 1498, 19.73.209; read 2026-09-24
And behold a pale horse: and he that sat upon him, his name was Death. And hell followed him. And power was given to him over the four parts of the earth, to kill with sword, with famine and with death and with the beasts of the earth.
Apocalypse 6:8 · Douay-Rheims (Challoner)