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The Coronation of the Virgin
c. 1260 · tempera on panel, irregular shape · The Courtauld Gallery, London (Samuel Courtauld Trust)
Sizes
image 10×2.1 in on a 10×8 in sheet
What is dpi?
Dots per inch: how many pixels of the museum’s file go into each inch of paper. Our floor is 240 for sheets up to 20 inches, 180 up to 36 inches and 120 beyond, because a larger print is seen from further away. We never offer a sheet below the floor, and the number on each size is the one you receive.
Hahnemühle Photo Rag, 308 gsm cotton rag · pigment inks · printed to order
Printed to order · the whole painting, never cropped · if it arrives damaged, we replace it
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All editionsAbout this painting
Christ's right hand is still at the crown on Our Lady's head, and in His other hand an open book. Kayoko Ichikawa, writing in IKON, holds that the crowning gesture belongs to the original design, and describes the Virgin in the orant pose, palms turned outward. Gold lines run through the folds of her dark mantle; Ichikawa reads that chrysography, an eastern technique, as honouring her as Maria Regina. The Courtauld says Guido da Siena's long, low work was once the top of an altarpiece, and that the coronation was thought especially fitting for works shown higher up. Our Lady is crowned up there, and we look up.
Sources: The Courtauld Gallery, Guido da Siena, The Coronation of the Virgin, P.1947.LF.186, read 2026-09-24 · Kayoko Ichikawa, 'Guido da Siena's Coronation of the Virgin: Thirteenth-Century Marian Devotion between East and West', IKON 10 (2017), 83–96, read 2026-09-24