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The Immaculate Conception by Juan Sánchez Cotán, 1617–1618, Museo de Bellas Artes de Granada
Immaculate Conception

The Immaculate Conception

Juan Sánchez Cotán (Spanish, 1560–1627)

1617–1618 · Oil painting · Museo de Bellas Artes de Granada

For the Immaculate Conception · 8 December

Sizes

image 6.5×10 in on a 8×10 in sheet

What is dpi?

Dots per inch: how many pixels of the museum’s file go into each inch of paper. Our floor is 240 for sheets up to 20 inches, 180 up to 36 inches and 120 beyond, because a larger print is seen from further away. We never offer a sheet below the floor, and the number on each size is the one you receive.

Hahnemühle Photo Rag, 308 gsm cotton rag · pigment inks · printed to order

Printed to order · the whole painting, never cropped · if it arrives damaged, we replace it

Free shipping, included in the price, to all eight countries we ship to. Dispatched in 2–4 working days — nothing to send back if it arrives damaged.

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About this painting

Our Lady stands on a thin crescent moon with her hands joined, a ring of stars over her head and the Holy Spirit as a white dove above that. The Museo de Bellas Artes de Granada reads everything round her as a title from the litany: chosen as the sun, fair as the moon, spotless mirror, morning star, gate of heaven, lily among thorns. Her tunic, the museum says, is hyacinth, the color of purity, her mantle the sky blue of eternity. Fray Juan Sánchez Cotán, at the Charterhouse of Granada from 1603, painted her, the museum says, as a girl of twelve or thirteen, at prayer. The moon holds her without a mark.

Sources: Museo de Bellas Artes de Granada, 'Inmaculate Conception', Juan Sánchez Cotán, 1617/1618, Google Arts & Culture, read 2026-09-24

Who is she that cometh forth as the morning rising, fair as the moon, bright as the sun, terrible as an army set in array?

Canticle of Canticles 6:9 · Douay-Rheims (Challoner)

Pray with this every day  ›
The Record
Date 1617–1618
Collection Museo de Bellas Artes de Granada
Subject Immaculate Conception
Season Ordinary Time
Master 14,156 px
License Public domain
Attribution Museo de Bellas Artes de Granada

The original, as its museum records it

Artist Juan Sánchez Cotán
Date 1617/1618
Medium Oil painting
Dimensions w168 x h260 cm
Holding Museo de Bellas Artes de Granada
Accession not recorded

Every line above is reproduced from the holding institution’s own catalogue entry, which is linked. Where their title, date or attribution differs from ours, theirs is the one printed here.

The file this print is made from

Source Juan Sánchez Cotán - Inmaculate Conception - 1617-18.jpg
Master 14,156 px on the long edge
Rights Public domain — the photograph as well as the painting
At a glance
ArtistJuan Sánchez Cotán (Spanish, 1560–1627)
Date1617–1618
MuseumMuseo de Bellas Artes de Granada
MediumOil painting
Dimensionsw168 x h260 cm
Sheet sizes8×10 in, 11×14 in, 16×20 in, 18×24 in, 24×36 in, 32×48 in, 40×60 in
Provenance of the file
Held byMuseo de Bellas Artes de Granada the museum’s record
Source fileWikimedia Commons · Juan Sánchez Cotán - Inmaculate Conception - 1617-18.jpg
LicencePublic domain
Master9,218 × 14,156 px, the file our printer receives
ChainTaken from Wikimedia Commons; held as our print master.

The sheets

8×10 in sheet 8×10 in · image 6.5×10 in · archival margin · 1416 dpi
11×14 in sheet 11×14 in · image 9.1×14 in · archival margin · 1011 dpi
16×20 in sheet 16×20 in · image 13×20 in · archival margin · 708 dpi
18×24 in sheet 18×24 in · image 15.6×24 in · archival margin · 590 dpi
24×36 in sheet 24×36 in · image 23.4×36 in · archival margin · 393 dpi
32×48 in sheet 32×48 in · image 31.3×48 in · archival margin · 295 dpi
40×60 in sheet 40×60 in · image 39.1×60 in · archival margin · 236 dpi

Printed on demand. Public-domain masterwork, reproduced from a 14,156 px master of the original. The whole image is printed — never cropped to fit the sheet — so every sheet carries an archival margin, and the dimensions and resolution listed above are the ones you receive.