
Berlin's curators read this praying Carthusian as a still life. Under hard light the cell offers up its objects for inspection — the big books, the crucifix, the console table, and an hourglass. The saint himself is a narrow profile, thin as the space between two of them. Le Sueur could have painted ecstasy. He painted furniture, and let the sand run beside the cross. The comparison the museum reaches for is Stosskopf, a Strasbourg specialist in painted objects.
Printed on demand. Public-domain masterwork, reproduced from a 9,088 px master of the original. The whole image is printed — never cropped to fit the sheet — so every sheet carries an archival margin, and the dimensions and resolution listed above are the ones you receive.