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Madonna and Child with Five Angels by Giovanni Baronzio, c. 1335, National Gallery of Art, Washington
Madonna and Child

Madonna and Child with Five Angels

Giovanni Baronzio (Italian, active c. 1320–1350)

c. 1335 · tempera on panel · National Gallery of Art, Washington

Sizes

image 11.4×24 in on a 18×24 in sheet

What is dpi?

Dots per inch: how many pixels of the museum’s file go into each inch of paper. Our floor is 240 for sheets up to 20 inches, 180 up to 36 inches and 120 beyond, because a larger print is seen from further away. We never offer a sheet below the floor, and the number on each size is the one you receive.

Hahnemühle Photo Rag, 308 gsm cotton rag · pigment inks · printed to order

Printed to order · the whole painting, never cropped · if it arrives damaged, we replace it

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About this painting

The Christ Child reaches up and takes a fold of His Mother's veil in His fingers. Five angels hold the cloth of honour behind them, a habit of the painters of Rimini. Miklós Boskovits reads the grasped veil as an allusion to the Passion, and the insect in the Child's lap, drawn large, as a locust, the Baptist's food in the wilderness; Giovanni Baronzio set this throne at the centre of an altarpiece for Saint John the Baptist, flanked by his story. Small lions on the armrests recall, for Boskovits, Solomon's throne. Its church is unknown. One small hand is on the Passion, the other on the desert.

Sources: Miklós Boskovits, 'Madonna and Child with Five Angels, c. 1335', in Italian Paintings of the Thirteenth and Fourteenth Centuries, NGA Systematic Catalogue, online edition 2016 · National Gallery of Art, Washington, 'Madonna and Child with Five Angels', 1943.4.45 · Google Arts & Culture, National Gallery of Art, 'Madonna and Child with Five Angels' · Samuel H. Kress Foundation, Kress Collection, K1435

Pray with this every day  ›
The Record
Date c. 1335
Collection National Gallery of Art, Washington
Subject Madonna and Child
Season Ordinary Time
Master 11,904 px
License PD/CC0
Attribution National Gallery of Art, Washington · 1943.4.45

The original, as its museum records it

Artist Giovanni Baronzio
Date c. 1335
Medium tempera on panel
Dimensions painted surface: 100.6 × 48.2 cm (39 5/8 × 19 in.); overall: 102.3 × 49.3 × 3.7 cm (40 1/4 × 19 7/16 × 1 7/16 in.); framed: 138.4 x 70.1 cm (54 1/2 x 27 5/8 in.)
Holding National Gallery of Art, Washington · 1943.4.45

Every line above is reproduced from the holding institution’s own catalogue entry, which is linked. Where their title, date or attribution differs from ours, theirs is the one printed here.

The file this print is made from

Source default.jpg
Master 11,904 px on the long edge
Rights PD/CC0 — the photograph as well as the painting
At a glance
ArtistGiovanni Baronzio (Italian, active c. 1320–1350)
Datec. 1335
MuseumNational Gallery of Art, Washington
Accession1943.4.45
Mediumtempera on panel
Dimensionspainted surface: 100.6 × 48.2 cm (39 5/8 × 19 in.); overall: 102.3 × 49.3 × 3.7 cm (40 1/4 × 19 7/16 × 1 7/16 in.); framed: 138.4 x 70.1 cm (54 1/2 x 27 5/8 in.)
Sheet sizes18×24 in, 24×36 in, 32×48 in, 40×60 in
Provenance of the file
Held byNational Gallery of Art, Washington · 1943.4.45 the museum’s record
Source filethe National Gallery of Art’s own open-access file (IIIF)
Licencepublic domain; the file released under CC0
Master5,664 × 11,904 px, the file our printer receives
ChainTaken from the National Gallery of Art’s own open-access file (IIIF) on 1 September 2026; held as our print master.

The sheets

18×24 in sheet 18×24 in · image 11.4×24 in · archival margin · 496 dpi
24×36 in sheet 24×36 in · image 17.1×36 in · archival margin · 331 dpi
32×48 in sheet 32×48 in · image 22.8×48 in · archival margin · 248 dpi
40×60 in sheet 40×60 in · image 28.5×60 in · archival margin · 198 dpi

Printed on demand. Public-domain masterwork, reproduced from a 11,904 px master of the original. The whole image is printed — never cropped to fit the sheet — so every sheet carries an archival margin, and the dimensions and resolution listed above are the ones you receive.