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The Birth, Naming, and Circumcision of Saint John the Baptist
c. 1335 · tempera on panel · National Gallery of Art, Washington
For the Nativity of Saint John the Baptist · 24 June
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image 18×21.5 in on a 18×24 in sheet
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All editionsAbout this painting
Zacharias cannot speak, so he writes. He braces a scroll on one knee, brows furrowed, and the letters can be read: NOMEN EST IOHANNES, the name is John. Luke says the neighbours wanted the child called Zacharias after his father; the man beside him turns and gestures toward him. Behind, Saint Elizabeth sits up under a red coverlet, and the infant Saint John lies swaddled in his cradle. Miklós Boskovits notes that Giovanni Baronzio pushes the Naming, often a scene of its own, inside the Birth and sets it at the front, with the Circumcision at the far right. The front belongs to an old man writing a name.
Sources: Miklós Boskovits, 'The Birth, Naming, and Circumcision of Saint John the Baptist, c. 1335', in Italian Paintings of the Thirteenth and Fourteenth Centuries, NGA Systematic Catalogue, online edition 2016 · National Gallery of Art, Washington, 'The Birth, Naming, and Circumcision of Saint John the Baptist', 1952.5.68 · Samuel H. Kress Foundation, Kress Collection, K1435 · Google Arts & Culture, National Gallery of Art, 'The Birth, Naming, and Circumcision of Saint John the Baptist'
And demanding a writing table, he wrote, saying: John is his name. And they all wondered.
Luke 1:63 · Douay-Rheims (Challoner)