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Lazarus and the Rich Man
c. 1550 · oil on canvas · The Cleveland Museum of Art
Sizes
image 24×15.8 in on a 24×18 in sheet
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Dots per inch: how many pixels of the museum’s file go into each inch of paper. Our floor is 240 for sheets up to 20 inches, 180 up to 36 inches and 120 beyond, because a larger print is seen from further away. We never offer a sheet below the floor, and the number on each size is the one you receive.
Hahnemühle Photo Rag, 308 gsm cotton rag · pigment inks · printed to order
Printed to order · the whole painting, never cropped · if it arrives damaged, we replace it
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All editionsAbout this painting
A dog puts his nose to the beggar's leg, and nobody at the table turns round. Lazarus lies on the ground at the far left, bare to the waist, his face lifted toward the feast; the rich man sits at the far right behind his lavish table, and between them a boy stands looking at the floor. Bassano keeps the two men apart. Cleveland notes that they are opposed both physically and socially, and tells how the parable ends: when both died, Lazarus was welcomed into heaven, while the rich man was consigned to hell. Nothing has turned yet. The cloth is still on the table.
Desiring to be filled with the crumbs that fell from the rich man's table. And no one did give him: moreover the dogs came and licked his sores.
Luke 16:21 · Douay-Rheims (Challoner)