
Every line above is reproduced from the holding institution’s own catalogue entry, which is linked. Where their title, date or attribution differs from ours, theirs is the one printed here.
The Child's right hand rests above his knee with the thumb and two fingers extended, and Newfields' own catalogue reads that small gesture twice over: a survival of the Byzantine blessing, and a quiet statement of the two natures. Two fingers, two natures, in an infant's hand. The panel is a workshop picture and the museum says so — one of several versions that may all descend from a lost Bellini. Under the paint is extensive underdrawing, the mark of someone thinking.
Printed on demand. Public-domain masterwork, reproduced from a 5,144 px master of the original. The whole image is printed — never cropped to fit the sheet — so every sheet carries an archival margin, and the dimensions and resolution listed above are the ones you receive.