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Christ Risen from the Tomb
c. 1490 · oil on panel · National Gallery of Art, Washington
Sizes
image 12.8×24 in on a 18×24 in sheet
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Dots per inch: how many pixels of the museum’s file go into each inch of paper. Our floor is 240 for sheets up to 20 inches, 180 up to 36 inches and 120 beyond, because a larger print is seen from further away. We never offer a sheet below the floor, and the number on each size is the one you receive.
Hahnemühle Photo Rag, 308 gsm cotton rag · pigment inks · printed to order
Printed to order · the whole painting, never cropped · if it arrives damaged, we replace it
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All editionsAbout this painting
One hand is raised, and the nail wound shows in the palm; the side is marked too, a small red cut under the ribs. Christ rises out of gold, a white cloth over one knee, the red-cross banner on its staff. Bergognone painted Him about 1490, in the years the National Gallery of Art's biography has him called to the charterhouse of Pavia, 1488 to 1494. London's National Gallery observes that no evangelist describes Christ standing upon His tomb; the Gospels report a stone rolled away, a tomb empty. Bergognone painted the morning no one saw, and the hand is still raised over whoever stands before it.
Sources: National Gallery of Art, artist biography, Bergognone (NGA Systematic Catalogue). · National Gallery of Art, Washington, 'Christ Risen from the Tomb', Bergognone; exhibition history. · The National Gallery, London, 'The Resurrection', Imitator of Andrea Mantegna, NG1106. · Matthew 28:1-6; Mark 16:1-6; Luke 24:1-3; John 20:1, Douay-Rheims (Challoner). · National Gallery of Art, artist page, Bergognone. · Samuel H. Kress Foundation, Kress Collection record, 'Christ Risen from the Tomb', K1399.