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The Flagellation, from The Large Passion
c. 1497–1510 · woodcut · The Cleveland Museum of Art
Sizes
image 7.2×10 in on a 8×10 in sheet
What is dpi?
Dots per inch: how many pixels of the museum’s file go into each inch of paper. Our floor is 240 for sheets up to 20 inches, 180 up to 36 inches and 120 beyond, because a larger print is seen from further away. We never offer a sheet below the floor, and the number on each size is the one you receive.
Hahnemühle Photo Rag, 308 gsm cotton rag · pigment inks · printed to order
Printed to order · the whole painting, never cropped · if it arrives damaged, we replace it
Free shipping, included in the price, to all eight countries we ship to. Dispatched in 2–4 working days — nothing to send back if it arrives damaged.
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All editionsAbout this painting
A man has Christ by the hair, and the column does not move. The crowd pushes in from both sides, fists raised, mouths open, and a shaggy dog stands in the foreground. The Minneapolis Institute of Art notes that the Passion tracts spun many tales around hair-pulling, a detail Dürer could not resist, and reads the sheet as jeering, scowling derision, the mob likened to animals: one man on the ground is posed like the mangy dog. The Art Institute of Chicago says the Large Passion was published in 1511 to illustrate a text by the monk Benedictus Chelidonius. At the center Christ stands bound, His face turned up.
Sources: Minneapolis Institute of Art, Albrecht Dürer, 'The Flagellation', P.181, read 2026-09-24 · Art Institute of Chicago, Albrecht Dürer, 'The Harrowing of Hell - Christ in Limbo, plate nine from The Large Passion', read 2026-09-24 · The Cleveland Museum of Art, 1926.115, read 2026-09-24
Then therefore Pilate took Jesus and scourged him.
John 19:1 · Douay-Rheims (Challoner)