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Saint Catherine in her Study
1405–1408/9 · Ink, tempera, and gold leaf on vellum · The Metropolitan Museum of Art, The Cloisters
For Saint Catherine of Alexandria · 25 November
Sizes
image 7.3×10 in on a 8×10 in sheet
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Dots per inch: how many pixels of the museum’s file go into each inch of paper. Our floor is 240 for sheets up to 20 inches, 180 up to 36 inches and 120 beyond, because a larger print is seen from further away. We never offer a sheet below the floor, and the number on each size is the one you receive.
Hahnemühle Photo Rag, 308 gsm cotton rag · pigment inks · printed to order
Printed to order · the whole painting, never cropped · if it arrives damaged, we replace it
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All editionsAbout this painting
Saint Catherine sits alone in a great church with a book open on her desk, and beside her a tiered stand holds more books, nearly as tall as she is. The Met calls the scene unprecedented, a woman studying alone in a great ecclesiastical space, seen through a double arcade. The Limbourg brothers balance her figure against the bookstand, the Met says, to equate her with learning itself, and set images of Moses on both the altar and the stand. The page opens the longest saint's cycle in the manuscript; its border, the richest of the set, marks it as the frontispiece. Somewhere tonight a student leaves the lamp on.
Sources: The Met's own folio commentary for fol. 15r (The Art of Illumination exhibition site), read 2026-09-02 · Timothy Husband, The Art of Illumination: The Limbourg Brothers and the Belles Heures of Jean de France, Duc de Berry (Metropolitan Museum of Art, 2008) — the full-manuscript exhibition catalogue