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The Crucifixion of Saint Andrew
1606–7 · oil on canvas · The Cleveland Museum of Art
For Saint Andrew · 30 November
Sizes
image 18×23.9 in on a 18×24 in sheet
What is dpi?
Dots per inch: how many pixels of the museum’s file go into each inch of paper. Our floor is 240 for sheets up to 20 inches, 180 up to 36 inches and 120 beyond, because a larger print is seen from further away. We never offer a sheet below the floor, and the number on each size is the one you receive.
Hahnemühle Photo Rag, 308 gsm cotton rag · pigment inks · printed to order
Printed to order · the whole painting, never cropped · if it arrives damaged, we replace it
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All editionsAbout this painting
Saint Andrew hangs on an upright cross, roped at the wrists, and a man on our left, back to us, pulls at the rope. Below, a woman in a head covering and a man in glinting armour look up. The knot is where the miracle is. In the Golden Legend Egeas has the apostle bound so that his pain will last; he hangs two days preaching to twenty thousand, and those who would unbind him find their arms of no power. The Cleveland Museum of Art reads Caravaggio's scene as that moment, hands mysteriously paralysed. Andrew's cross, Cleveland notes, is usually X-shaped. This one stands straight.
Sources: The Cleveland Museum of Art, Open Access API, 'The Crucifixion of Saint Andrew', 1976.2, read 2026-09-06 · The Cleveland Museum of Art, 'The Crucifixion of Saint Andrew', Caravaggio, 1976.2, object page, read 2026-09-06 · Jacobus de Voragine, The Golden Legend, 'Saint Andrew', William Caxton's translation (1483), as hosted by christianiconography.info, read 2026-09-06