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Salome receives the Head of John the Baptist
about 1609-10 · Oil on canvas · The National Gallery, London
Sizes
image 21.2×18 in on a 24×18 in sheet
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Dots per inch: how many pixels of the museum’s file go into each inch of paper. Our floor is 240 for sheets up to 20 inches, 180 up to 36 inches and 120 beyond, because a larger print is seen from further away. We never offer a sheet below the floor, and the number on each size is the one you receive.
Hahnemühle Photo Rag, 308 gsm cotton rag · pigment inks · printed to order
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All editionsAbout this painting
A head comes down onto a dish by its hair, and Salome, holding the dish, looks away. Saint John the Baptist's eyes are closed; the executioner keeps the sword in his other hand. The National Gallery calls her expression enigmatic: disgust or shame, appalled at what she has brought about. The elderly maidservant clasps her hands in grief. The Gallery reads Salome and the executioner as linked by echoing heads and one raking light, yet he only held the sword; the guilt is hers. Caravaggio painted it, the Gallery says, in his final months. The Baptist's face is turned to the light.
And he beheaded him in the prison, and brought his head in a dish: and gave to the damsel, and the damsel gave it her mother.
Mark 6:28 · Douay-Rheims (Challoner)