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The Annunciation, with Saint Emidius
1486 · Egg tempera with some oil on canvas · The National Gallery, London
For the Annunciation · 25 March
Sizes
image 7.1×10 in on a 8×10 in sheet
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All editionsAbout this painting
A golden ray comes down out of the sky, passes through a hole in the wall, and reaches Our Lady at her prayer desk. Out in the street Gabriel kneels, and Saint Emidius stops him, a model of Ascoli on his knee. The National Gallery gives the reason: in 1482 Pope Sixtus IV granted Ascoli self-government, and the news reached the town on 25 March, the feast of the Annunciation. The Gallery calls the man on the bridge, reading a message brought by carrier pigeon, a witty analogy of the Annunciation itself. Carlo Crivelli lettered LIBERTAS ECCLESIASTICA across the step. Heaven's news goes in by the small hole.
Sources: The National Gallery, London, 'The Annunciation, with Saint Emidius', Carlo Crivelli, 1486, NG739; read 2026-09-24. · Alasdair Flint, 'Crivelli, The Annunciation', in Building the Picture: Architecture in Italian Renaissance Painting (London: The National Gallery, 2014); read 2026-09-24.
And the angel being come in, said unto her: Hail, full of grace, the Lord is with thee: blessed art thou among women.
Luke 1:28 · Douay-Rheims (Challoner)