
Michael goes down with them. Giordano throws the whole picture into the fall — the archangel calm at the top, and beneath him the faces of angels becoming devils, open-mouthed and contorted. The Kunsthistorisches Museum reads that harshness as Ribera's, the Spanish-Neapolitan court painter whose realism Giordano had absorbed, and reads Michael's colour as Ribera's Venetian palette. Nobody knows which church commissioned it. In the late eighteenth century it was taken from the Minorite Church in Vienna into the imperial gallery.
And that great dragon was cast out, that old serpent, who is called the devil and Satan, who seduceth the whole world. And he was cast unto the earth: and his angels were thrown down with him.
Revelation of John 12:9 · Douay-Rheims (Challoner), from the project’s own corpus at data/bible_drc.js
Printed on demand. Public-domain masterwork, reproduced from a 6,957 px master of the original. The whole image is printed — never cropped to fit the sheet — so every sheet carries an archival margin, and the dimensions and resolution listed above are the ones you receive.