Drag the print to move it. The painting is shown at true scale; where its shape differs from the sheet the print has a paper border, not drawn here. Prints are sold unframed, and a frame here is only for planning.
The Crucifixion
c. 1504–1505 · tempera, oil, and gilding on panel · National Gallery of Art, Washington
For Good Friday
Sizes
image 10×7.3 in on a 10×8 in sheet
What is dpi?
Dots per inch: how many pixels of the museum’s file go into each inch of paper. Our floor is 240 for sheets up to 20 inches, 180 up to 36 inches and 120 beyond, because a larger print is seen from further away. We never offer a sheet below the floor, and the number on each size is the one you receive.
Hahnemühle Photo Rag, 308 gsm cotton rag · pigment inks · printed to order
Printed to order · the whole painting, never cropped · if it arrives damaged, we replace it
Free shipping, included in the price, to all eight countries we ship to. Dispatched in 2–4 working days — nothing to send back if it arrives damaged.
Send as a gift
A printed card goes in the parcel with your message and the work’s museum record. No price is shown anywhere in the parcel. Enter the recipient’s address at checkout.
0 / 240Have a gift certificate?
The certificate’s balance is applied at checkout; any remainder is paid there. Check a balance or buy one.
Christmas: order by Monday 7 December for delivery in the United States before Christmas.
All editionsAbout this painting
Three crosses stand over a crowd of spears, and on the middle one hangs Christ. The National Gallery of Art finds the lance in His side held by a rider on a white horse, and counts more than two dozen people below. "But one of the soldiers with a spear opened his side: and immediately there came out blood and water." At the lower left, in navy blue, Our Lady has fainted to the ground; two kneeling women hold her up, while another woman and a cleanshaven man stand over her with their fingers laced. Luca Signorelli may have painted it for the main altar of Sant'Agostino in Matelica, a hypothesis first raised by Mario Salmi and taken up by Laurence Kanter. Over all of them the spears go on rising, and the Cross rises higher.
Sources: National Gallery of Art, Washington, open-data release (published_images.csv, assistive description of the primary image of object 41690), read 2026-09-24 · National Gallery of Art, Washington, open-data release (objects.csv, object 41690), read 2026-09-24 · National Gallery of Art, Washington, 'The Crucifixion', 1952.5.75, as published on Google Arts & Culture, read 2026-09-24
But one of the soldiers with a spear opened his side: and immediately there came out blood and water.
John 19:34 · Douay-Rheims (Challoner)