
Every line above is reproduced from the holding institution’s own catalogue entry, which is linked. Where their title, date or attribution differs from ours, theirs is the one printed here.
The world is missing from his hand. A Salvator Mundi holds a cross-topped globe, as the Met's Memling-workshop version does; the Web Gallery of Art reads this one as a Salvator Mundi "without the attributes of his power." Stripped of them, the hand can only bless.
The other comes forward onto the painted frame. The panel becomes a window with someone behind it — the Norton Simon calls the picture a blend of icon formality and portrait realism, fifteen inches high, designed to promote private worship and prayer.
He rules no world. He holds the edge of a frame.
Sources: Norton Simon Museum object page · Web Gallery of Art, entry on Memling's Christ Giving His Blessing · Smarthistory, Hans Memling, Christ Blessing · The Metropolitan Museum of Art, Workshop of Hans Memling, Salvator Mundi, acc. 32.100.54
Printed on demand. Public-domain masterwork, reproduced from a 2,820 px master of the original. The whole image is printed — never cropped to fit the sheet — so every sheet carries an archival margin, and the dimensions and resolution listed above are the ones you receive.