The Annunciation
The original, as its museum records it
Every line above is reproduced from the holding institution’s own catalogue entry, which is linked. Where their title, date or attribution differs from ours, theirs is the one printed here.
The file this print is made from
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About this painting
She is caught mid-swoon, held up by two angels rather than kneeling at a prie-dieu — Memling's Mary is overcome, not composed, at the instant the divine enters her. Gabriel wears an ecclesiastical cope, not travel dress, assisting at a Mass. An eagle worked into the cope points to John's Gospel: the Word made flesh.
Beside her, an empty candleholder waits for the flame she will carry. A carafe of water stands nearby — purity, conceiving without loss.
No church commissioned this panel. No patron is recorded.
Sources: Blum, S.N. (1992). Hans Memling's Annunciation with Angelic Attendants. Metropolitan Museum Journal, 27, pp. 43-58. · Gabriel wears an ecclesiastical cope, assists (not celebrates) a Mass; eagle emblem on his vestment alludes to John's Gospel, the Word made flesh · No patron, church, chapel, or altar is documented for this panel; no commission is recorded in the sources
And the angel being come in, said unto her: Hail, full of grace, the Lord is with thee: blessed art thou among women.
Luke 1:28 · Douay-Rheims (Challoner), from the project’s own corpus at data/bible_drc.js
Printed on demand. Public-domain masterwork, reproduced from a 6,407 px master of the original. The whole image is printed — never cropped to fit the sheet — so every sheet carries an archival margin, and the dimensions and resolution listed above are the ones you receive.