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The Good Shepherd by Bartolomé Esteban Murillo, c. 1660, Museo Nacional del Prado, Madrid
The Good Shepherd

The Good Shepherd

c. 1660 · Óleo sobre lienzo (oil on canvas) · Museo Nacional del Prado, Madrid

Sizes

image 8×9.8 in on a 8×10 in sheet

The museum’s file supports 8×10 in at 295 dpi; a larger sheet would fall below our floor.

What is dpi?

Dots per inch: how many pixels of the museum’s file go into each inch of paper. Our floor is 240 for sheets up to 20 inches, 180 up to 36 inches and 120 beyond, because a larger print is seen from further away. We never offer a sheet below the floor, and the number on each size is the one you receive.

Hahnemühle Photo Rag, 308 gsm cotton rag · pigment inks · printed to order

Printed to order · the whole painting, never cropped · if it arrives damaged, we replace it

Free shipping, included in the price, to all eight countries we ship to. Dispatched in 2–4 working days — nothing to send back if it arrives damaged.

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About this painting

The Christ Child sits on a rock with bare feet and a staff across His knees, one hand resting on a lamb's back. Bartolomé Esteban Murillo has made the Good Shepherd a child. Nerea Pérez López traces the older figure, a grown man whom the first Christian painters built out of Hermes Kriophoros and Orpheus; Murillo gave the type its childhood, and the Sevillian painters after him kept the shepherd a child. Ceán Bermúdez, she notes, saw the likeness of the pose to the frontispiece of Stefano della Bella's mythological engravings of 1644. Behind Him stand a broken column and a fallen piece of entablature, which the Prado reads as paganism conquered. His tunic is rose, the flock grazes far off, and He looks straight out, at the one sheep not yet brought in.

Sources: Museo Nacional del Prado, 'El Buen Pastor', P000962. · Nerea V. Pérez López, 'La iconografía del buen pastor niño...', Laboratorio de Arte 29 (2017), pp. 311-328 · Nerea V. Pérez López, 'La iconografía del Buen Pastor niño y su vinculación con la pintura sevillana', Laboratorio de Arte 29 (2017).

I am the good shepherd. The good shepherd giveth his life for his sheep.

John 10:11 · Douay-Rheims (Challoner)

Pray with this every day  ›
The Record
Date c. 1660
Collection Museo Nacional del Prado, Madrid
Subject The Good Shepherd
Season Ordinary Time
Master 2,901 px
License PD/CC0
Attribution Museo Nacional del Prado, Madrid · P000962

The original, as its museum records it

Artist Bartolomé Esteban Murillo
Date Hacia 1660
Medium Óleo sobre lienzo (oil on canvas)
Dimensions Alto: 123 cm; Ancho: 101,7 cm
Holding Museo Nacional del Prado, Madrid · P000962

Every line above is reproduced from the holding institution’s own catalogue entry, which is linked. Where their title, date or attribution differs from ours, theirs is the one printed here.

The file this print is made from

Source El Buen Pastor.jpg
Master 2,901 px on the long edge
Rights PD/CC0 — the photograph as well as the painting
At a glance
ArtistBartolomé Esteban Murillo (Spanish, 1617–1682)
Datec. 1660
MuseumMuseo Nacional del Prado, Madrid
AccessionP000962
MediumÓleo sobre lienzo (oil on canvas)
DimensionsAlto: 123 cm; Ancho: 101,7 cm
Sheet sizes8×10 in
Provenance of the file
Held byMuseo Nacional del Prado, Madrid · P000962 the museum’s record
Source fileWikimedia Commons · El Buen Pastor.jpg
LicencePublic domain
Master2,362 × 2,901 px, the file our printer receives
ChainTaken from Wikimedia Commons; held as our print master.

The sheets

8×10 in sheet 8×10 in · image 8×9.8 in · archival margin · 295 dpi

Printed on demand. Public-domain masterwork, reproduced from a 2,901 px master of the original. The whole image is printed — never cropped to fit the sheet — so every sheet carries an archival margin, and the dimensions and resolution listed above are the ones you receive.