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The Virgin of the Rosary by Bartolomé Esteban Murillo, c. 1675–1680, Dulwich Picture Gallery, London
Madonna and Child

The Virgin of the Rosary

c. 1675–1680 · Oil on canvas · Dulwich Picture Gallery, London

Sizes

image 12.6×20 in on a 16×20 in sheet

The museum’s file supports 18×24 in at 252 dpi; a larger sheet would fall below our floor.

What is dpi?

Dots per inch: how many pixels of the museum’s file go into each inch of paper. Our floor is 240 for sheets up to 20 inches, 180 up to 36 inches and 120 beyond, because a larger print is seen from further away. We never offer a sheet below the floor, and the number on each size is the one you receive.

Hahnemühle Photo Rag, 308 gsm cotton rag · pigment inks · printed to order

Printed to order · the whole painting, never cropped · if it arrives damaged, we replace it

Free shipping, included in the price, to all eight countries we ship to. Dispatched in 2–4 working days — nothing to send back if it arrives damaged.

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About this painting

A string of dark beads runs from Our Lady's hand into the fist of the Christ Child, and neither of them is counting. The Child toys with them, in Dulwich's word, so the rosary is in play, not in use; of its own version the Prado says neither figure fingers the beads as one reciting the Hail Mary would. Dulwich says Murillo painted it towards the end of his career and gave mother and child a remarkable humanity. She is borne up on cloud, small angels beneath her, and we see her from below; Dermot Morrin reads the low viewpoint as placing us on our knees in prayer. Dulwich thinks it was made for a Dominican church, the drapery glazed in ultramarine, a pigment so costly it was rarely used in Spain. The counting is left to whoever kneels.

Sources: Dulwich Picture Gallery object page, 'The Virgin of the Rosary' · Dermot Morrin, 'Murillo's Virgin of the Rosary at Dulwich,' scotland.op.org, 14 May 2021 · Dulwich Picture Gallery collection record, 'The Madonna of the Rosary', Bartolome Esteban Murillo, c.1670-80, DPG281, published via Google Arts & Culture · Dulwich Picture Gallery, catalogue description for 'The Madonna of the Rosary', Bartolome Esteban Murillo, 1670-80, DPG281 (Dulwich Picture Gallery Prints) · Museo Nacional del Prado, artist entry, 'Bartolome Esteban Murillo' (The Collection) · Museo Nacional del Prado, catalogue entry, Bartolome Esteban Murillo, 'The Virgin of the Rosary', c. 1650-1655, oil on canvas, P000975

Pray with this every day  ›
The Record
Date c. 1675–1680
Collection Dulwich Picture Gallery, London
Subject Madonna and Child
Season Ordinary Time
Master 6,056 px
License PD/CC0
Attribution Dulwich Picture Gallery, London · DPG281

The original, as its museum records it

Artist Bartolomé Esteban Murillo
Date c.1675-80
Medium Oil on canvas
Dimensions 200.8 x 128.2 cm
Holding Dulwich Picture Gallery, London · DPG281

Every line above is reproduced from the holding institution’s own catalogue entry, which is linked. Where their title, date or attribution differs from ours, theirs is the one printed here.

The file this print is made from

Source Murillo, Bartolomé Estéban - The Madonna of the Rosary - Google Art Project.jpg
Master 6,056 px on the long edge
Rights PD/CC0 — the photograph as well as the painting
At a glance
ArtistBartolomé Esteban Murillo (Spanish, 1617–1682)
Datec. 1675–1680
MuseumDulwich Picture Gallery, London
AccessionDPG281
MediumOil on canvas
Dimensions200.8 x 128.2 cm
Sheet sizes16×20 in, 18×24 in
Provenance of the file
Held byDulwich Picture Gallery, London · DPG281 the museum’s record
Source fileWikimedia Commons · Murillo, Bartolomé Estéban - The Madonna of the Rosary - Google Art Project.jpg
LicencePublic domain
Master3,824 × 6,056 px, the file our printer receives
ChainTaken from Wikimedia Commons; held as our print master.

The sheets

16×20 in sheet 16×20 in · image 12.6×20 in · archival margin · 303 dpi
18×24 in sheet 18×24 in · image 15.2×24 in · archival margin · 252 dpi

Printed on demand. Public-domain masterwork, reproduced from a 6,056 px master of the original. The whole image is printed — never cropped to fit the sheet — so every sheet carries an archival margin, and the dimensions and resolution listed above are the ones you receive.