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St Michael the Archangel by Guido Reni, c. 1636, Santa Maria della Concezione dei Cappuccini, Rome
Saints

St Michael the Archangel

c. 1636 · Chiesa di Santa Maria della Concezione dei Cappuccini (Museo e Cripta dei Cappuccini), Roma

For Saints Michael, Gabriel and Raphael · 29 September

Sizes

image 6.8×10 in on a 8×10 in sheet

The museum’s file supports 8×10 in at 244 dpi; a larger sheet would fall below our floor.

What is dpi?

Dots per inch: how many pixels of the museum’s file go into each inch of paper. Our floor is 240 for sheets up to 20 inches, 180 up to 36 inches and 120 beyond, because a larger print is seen from further away. We never offer a sheet below the floor, and the number on each size is the one you receive.

Hahnemühle Photo Rag, 308 gsm cotton rag · pigment inks · printed to order

Printed to order · the whole painting, never cropped · if it arrives damaged, we replace it

Free shipping, included in the price, to all eight countries we ship to. Dispatched in 2–4 working days — nothing to send back if it arrives damaged.

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About this painting

A sandal rests on a devil's head, and the fight is already over. Revelation tells of a great battle in heaven; Guido Reni painted its end, the sword lifted for a blow over a Satan already held down under Michael's foot, as Theresa Vella reads it, while a chain hangs from the archangel's other hand. The face is taken from nobody. Reni wrote to Giovanni Antonio Massani that he wanted an angelic brush, or the forms of Paradise, but could not climb so high, and searched the earth in vain; so he painted the form settled in his idea. That letter is lost; Bellori printed it in 1664. Ingrid Rowland notes that he painted on silk, not canvas. Cardinal Antonio Barberini, who built the church, lies at its altar steps under words he dictated himself. Michael's eyes stay on the head beneath his foot.

Sources: "San Michele e l'Arcangelo di Guido Reni", busonero.it, 2016 · Vella, Journal of Baroque Studies 1(3), art. A2 · Elisabetta Di Stefano, 'Bello e Idea nella teoria dell'arte di Guido Reni'. · Ingrid D. Rowland, 'The Divine Guido', The New York Review of Books, 22 June 2023. · Museo e Cripta dei Cappuccini, Santa Maria della Concezione dei Cappuccini, Rome.

And there was a great battle in heaven: Michael and his angels fought with the dragon, and the dragon fought, and his angels.

Apocalypse 12:7 · Douay-Rheims (Challoner)

Pray with this every day  ›
The Record
Date c. 1636
Collection Santa Maria della Concezione dei Cappuccini, Rome
Subject Saints
Season Ordinary Time
Master 2,441 px
License PD/CC0
Attribution Chiesa di Santa Maria della Concezione dei Cappuccini (Museo e Cripta dei Cappuccini), Roma

The original, as its museum records it

Artist Guido Reni
Holding Chiesa di Santa Maria della Concezione dei Cappuccini (Museo e Cripta dei Cappuccini), Roma
Accession none — this work has never left the church it was painted for, and a work in situ carries no inventory number

Every line above is reproduced from the holding institution’s own catalogue entry, which is linked. Where their title, date or attribution differs from ours, theirs is the one printed here.

The file this print is made from

Source GuidoReni MichaelDefeatsSatan.jpg
Master 2,441 px on the long edge
Rights PD/CC0 — the photograph as well as the painting
At a glance
ArtistGuido Reni (Italian, 1575–1642)
Datec. 1636
MuseumChiesa di Santa Maria della Concezione dei Cappuccini (Museo e Cripta dei Cappuccini), Roma
Sheet sizes8×10 in
Provenance of the file
Held byChiesa di Santa Maria della Concezione dei Cappuccini (Museo e Cripta dei Cappuccini), Roma the museum’s record
Source fileWikimedia Commons · GuidoReni MichaelDefeatsSatan.jpg
LicencePublic domain
Master1,657 × 2,441 px, the file our printer receives
ChainTaken from Wikimedia Commons; held as our print master.

The sheets

8×10 in sheet 8×10 in · image 6.8×10 in · archival margin · 244 dpi

Printed on demand. Public-domain masterwork, reproduced from a 2,441 px master of the original. The whole image is printed — never cropped to fit the sheet — so every sheet carries an archival margin, and the dimensions and resolution listed above are the ones you receive.