
Drag the print to move it. The painting is shown at true scale; where its shape differs from the sheet the print has a paper border, not drawn here. Prints are sold unframed, and a frame here is only for planning.
Madonna in a Garland of Flowers
c. 1616–1618 · Eichenholz (oak wood) · Bayerische Staatsgemäldesammlungen — Alte Pinakothek, München
Sizes
image 12.8×11 in on a 14×11 in sheet
What is dpi?
Dots per inch: how many pixels of the museum’s file go into each inch of paper. Our floor is 240 for sheets up to 20 inches, 180 up to 36 inches and 120 beyond, because a larger print is seen from further away. We never offer a sheet below the floor, and the number on each size is the one you receive.
Hahnemühle Photo Rag, 308 gsm cotton rag · pigment inks · printed to order
Printed to order · the whole painting, never cropped · if it arrives damaged, we replace it
Free shipping, included in the price, to all eight countries we ship to. Dispatched in 2–4 working days — nothing to send back if it arrives damaged.
Send as a gift
A printed card goes in the parcel with your message and the work’s museum record. No price is shown anywhere in the parcel. Enter the recipient’s address at checkout.
0 / 240Have a gift certificate?
The certificate’s balance is applied at checkout; any remainder is paid there. Check a balance or buy one.
Christmas: order by Monday 7 December for delivery in the United States before Christmas.
All editionsAbout this painting
Our Lady holds the Christ Child upright in a dark niche, and putti hang a garland of flowers around them both. Jan Brueghel the Elder painted the flowers, Rubens the Madonna and putti, as the Alte Pinakothek confirms; the black frame within the frame recalls the custom of garlanding the Virgin's images as a sign of reverence. The museum reads the white lily as purity and the Immaculate Conception. The Museumspädagogisches Zentrum notes that the flowers keep no single season: snowdrops, earliest in the year, stand beside the hollyhocks of summer, and the insects are painted at their real size. Technical study found reserves in the four corners, one for each putto; Rubens widened the oak with two outer planks about twenty-five centimetres wide, and the four became eleven. Heaven needed more wood.
Sources: Picture-within-picture format (black frame, cord) references the custom of garlanding images of the Virgin as a sign of reverence; also confirms Rubens painted Madonna/putti, Brueghel the garland · MPZ Digital (Museumspädagogisches Zentrum Bayern), 'Von Tulpen, Lilien und Grashüpfern' · Der Tagesspiegel, 'Coworking der Alten Meister' · Bayerische Staatsgemäldesammlungen, Alte Pinakothek, 'Rubens, Brueghel and the Madonna in a Garland of Flowers'.