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Saint Teresa of Ávila Interceding for Bernardino de Mendoza in Purgatory
c. 1630–1635 · oil on canvas · KMSKA, Antwerp
For Saint Teresa of Avila · 15 October
Sizes
image 17.2×24 in on a 18×24 in sheet
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Dots per inch: how many pixels of the museum’s file go into each inch of paper. Our floor is 240 for sheets up to 20 inches, 180 up to 36 inches and 120 beyond, because a larger print is seen from further away. We never offer a sheet below the floor, and the number on each size is the one you receive.
Hahnemühle Photo Rag, 308 gsm cotton rag · pigment inks · printed to order
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All editionsAbout this painting
A small angel grips a man by the hand and draws him up out of the fire; below, the others still burn and look up. Christ stands barefoot at the centre and looks down at Teresa, who kneels at the right with her hands open. The British Museum, describing the engraving after this canvas, names the rising man as Bernardino de Mendoza, set free alone. In Teresa's own Book of Her Foundations he is brother to the bishop of Ávila, dead suddenly of illness after giving her his house and grounds at Rio de Olmos for the Valladolid foundation, and released from purgatory at the first Mass said in that house; she saw him afterwards, his face joyful and resplendent. Rubens made it for a side altar of the Discalced Carmelite church in Antwerp, pendant to his Education of Mary. The church is gone. One hand holds another.
Sources: British Museum, museum no. 1860,0211.515 · Teresa of Jesus (Ávila), Book of Her Foundations, ch. 10 · Wellcome Collection, print catalogue · Historians of Netherlandish Art, review of Rubens Unveiled (KMSKA/Hannibal) · Vlaamse Kunstcollectie / The Flemish Art Collection · KMSKA object page, inventory no. 299