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The Baptism of Christ
1604–1605 · oil on canvas · KMSKA, Antwerp
For the Baptism of the Lord
Sizes
image 24×14.5 in on a 24×18 in sheet
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Dots per inch: how many pixels of the museum’s file go into each inch of paper. Our floor is 240 for sheets up to 20 inches, 180 up to 36 inches and 120 beyond, because a larger print is seen from further away. We never offer a sheet below the floor, and the number on each size is the one you receive.
Hahnemühle Photo Rag, 308 gsm cotton rag · pigment inks · printed to order
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All editionsAbout this painting
A hand reaches out toward a bowed head, and above it the sky opens a lane of light for the Dove. Saint John stands in rough skins; Christ stands at the water's edge, angels crowding behind Him. Three Persons were at the Jordan, and only two could be painted: the Son and the Holy Spirit; the Father was a voice. Rubens made it for Duke Vincenzo I Gonzaga, Furlotti and Rebecchini record, for the Jesuit church of the Santissima Trinità in Mantua; the Lombardy catalogue sets it on the left wall of the presbytery, the Transfiguration on the right, and at the centre the Gonzagas adoring the Trinity, held up, a contemporary wrote, like a tapestry by flying angels. Kinga Lipinska reads the muscled bodies as a young court painter claiming Michelangelo's Sistine nudes. The Father he could not paint here waited at the centre.
Sources: Object metadata: date 1604-1605, oil on canvas, 411 x 675 cm, inv. 707, KMSKA Antwerp · Barbara Furlotti and Guido Rebecchini, 'The Art of Mantua: Power and Patronage in the Renaissance,' J. Paul Getty Museum, 2008 · Kinga Lipinska, 'From Giotto to Rubens: The Baptism of the Lord in Painting,' Liturgical Arts Journal, 8 January 2019 · Description of John pouring water over Christ and dove/light detail in this composition · Lombardia Beni Culturali, catalogue record MN020-00075, 'La famiglia Gonzaga in adorazione della SS.ma Trinità, Rubens, Pieter Paul' · Finestre sull'Arte, 'An exhibition in Mantua to learn about autographs documenting Rubens' Mantua period' · Musée des Beaux-Arts de Nancy, collection notice, 'La Transfiguration', Pierre-Paul Rubens · Matthew 3:17 (with 3:13 for the Jordan), Douay-Rheims (Challoner)
And Jesus being baptized, forthwith came out of the water: and lo, the heavens were opened to him: and he saw the Spirit of God descending as a dove, and coming upon him.
Matthew 3:16 · Douay-Rheims (Challoner)