
Every line above is reproduced from the holding institution’s own catalogue entry, which is linked. Where their title, date or attribution differs from ours, theirs is the one printed here.
Scripture assembles the three Persons once, at the Jordan, where nobody dies. So Rubens builds the doctrine out of a corpse. On a burial shroud the dead Christ lies across God the Father's lap, foreshortened, turned outward; Antwerp's record reads the gesture: the Father shows the faithful the body of his Son, tortured to death. The dove hangs above. Two mourning angels hold the instruments of the Passion.
It hung over an altar in Antwerp's Calced Carmelite church, given by Judoca van der Capelle, 10 April 1621. She and her husband lay buried in front of that altar.
Sources: Art in Flanders (artinflanders.be), entry 'Heilige Drievuldigheid' · Vlaamse Kunstcollectie, Peter Paul Rubens biography page · Valerie Herremans, Rubens Unveiled: Paintings from Lost Antwerp Churches (2013), reviewed HNA Reviews, April 2015 · KMSKA (Royal Museum of Fine Arts Antwerp), object page · Douay-Rheims, Matthew 3:16-17
Printed on demand. Public-domain masterwork, reproduced from a 19,721 px master of the original. The whole image is printed — never cropped to fit the sheet — so every sheet carries an archival margin, and the dimensions and resolution listed above are the ones you receive.