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The Holy Trinity by Masaccio, c. 1427, Santa Maria Novella, Florence
The Holy Trinity

The Holy Trinity

c. 1427 · Affresco — in situ (fresco, in place) · Basilica di Santa Maria Novella, Firenze — in situ

For Trinity Sunday

Sizes

image 12.4×20 in on a 16×20 in sheet

The museum’s file supports 18×24 in at 240 dpi; a larger sheet would fall below our floor.

What is dpi?

Dots per inch: how many pixels of the museum’s file go into each inch of paper. Our floor is 240 for sheets up to 20 inches, 180 up to 36 inches and 120 beyond, because a larger print is seen from further away. We never offer a sheet below the floor, and the number on each size is the one you receive.

Hahnemühle Photo Rag, 308 gsm cotton rag · pigment inks · printed to order

Printed to order · the whole painting, never cropped · if it arrives damaged, we replace it

Free shipping, included in the price, to all eight countries we ship to. Dispatched in 2–4 working days — nothing to send back if it arrives damaged.

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About this painting

God the Father stands behind the Cross and holds it by its arms, and Smarthistory notes His feet planted as if He bore the weight. Christ hangs in front of Him; the Basilica di Santa Maria Novella places the Dove of the Holy Spirit on the same line between them, Father, Spirit and Son on one axis. Masaccio paints a coffered chapel so that it looks cut into the wall. Our Lady stands at the foot of the Cross and turns one hand toward her Son. Two unnamed donors kneel outside the painted arch, on the same step as the church floor. In 1570 Vasari covered the fresco with a stone altar, and it stayed hidden until the nineteenth century. Below, a skeleton lies in a tomb with words for whoever passes: what you are, I once was; what I am, you will become.

Sources: Smarthistory, 'Masaccio, Holy Trinity' · Basilica di Santa Maria Novella official page · Commission history cross-checked against eclecticlight.co restoration-history account

Pray with this every day  ›
The Record
Date c. 1427
Collection Santa Maria Novella, Florence
Subject The Holy Trinity
Season Ordinary Time
Master 5,753 px
License PD/CC0
Attribution Basilica di Santa Maria Novella, Firenze — in situ

The original, as its museum records it

Artist Tommaso Guidi, known as Masaccio
Date 1425-1426
Medium Affresco — in situ (fresco, in place)
Holding Basilica di Santa Maria Novella, Firenze — in situ
Accession none — this work has never left the church it was painted for, and a work in situ carries no inventory number

Every line above is reproduced from the holding institution’s own catalogue entry, which is linked. Where their title, date or attribution differs from ours, theirs is the one printed here.

The file this print is made from

Source Masaccio, Holy Trinity, 1425-28, Santa Maria Novella, Florence.jpg
Master 5,753 px on the long edge
Rights PD/CC0 — the photograph as well as the painting
At a glance
ArtistMasaccio (Italian, 1401–1428)
Datec. 1427
MuseumBasilica di Santa Maria Novella, Firenze — in situ
MediumAffresco — in situ (fresco, in place)
Sheet sizes16×20 in, 18×24 in
Provenance of the file
Held byBasilica di Santa Maria Novella, Firenze — in situ the museum’s record
Source fileWikimedia Commons · Masaccio, Holy Trinity, 1425-28, Santa Maria Novella, Florence.jpg
LicencePublic domain
Master3,566 × 5,753 px, the file our printer receives
ChainTaken from Wikimedia Commons; held as our print master.

The sheets

16×20 in sheet 16×20 in · image 12.4×20 in · archival margin · 288 dpi
18×24 in sheet 18×24 in · image 14.9×24 in · archival margin · 240 dpi

Printed on demand. Public-domain masterwork, reproduced from a 5,753 px master of the original. The whole image is printed — never cropped to fit the sheet — so every sheet carries an archival margin, and the dimensions and resolution listed above are the ones you receive.