MONSTRANCE
The Holy Trinity — Masaccio
Hero Edition

The Holy Trinity

Masaccio (Italian, 1401–1428)
Date c. 1427
Collection Santa Maria Novella, Florence
Subject The Holy Trinity
Season Ordinary Time
Master 5,753 px
License PD/CC0
Attribution Basilica di Santa Maria Novella, Firenze — in situ

The original, as its museum records it

Artist Tommaso Guidi, known as Masaccio
Date 1425-1426
Medium Affresco — in situ
Holding Basilica di Santa Maria Novella, Firenze — in situ
Accession none — this work has never left the church it was painted for, and a work in situ carries no inventory number

Every line above is reproduced from the holding institution’s own catalogue entry, which is linked. Where their title, date or attribution differs from ours, theirs is the one printed here.

The file this print is made from

Source Masaccio, Holy Trinity, 1425-28, Santa Maria Novella, Florence.jpg
Master 5,753 px on the long edge
Rights PD/CC0 — the photograph as well as the painting

Sizes

16×20 in$110
sheet 16×20 in · image 12.4×20 in · archival margin · 288 dpi
18×24 in$140
sheet 18×24 in · image 14.9×24 in · archival margin · 240 dpi
View in the gallery

About this painting

God the Father stands behind the cross, gripping its arms, feet planted as if bearing weight. A dove hangs above Christ's head on the same line — Father, Spirit, Son joined in one axis, inside a chapel painted to look cut into the wall.

At its foot lies a skeleton in a tomb, telling the worshipper: what you are, I once was; what I am, you will become. Two unnamed donors kneel outside the painted arch, on the same step as the floor.

In 1570 a stone altar sealed the fresco. It stayed hidden until the nineteenth century.

Sources: Smarthistory, 'Masaccio, Holy Trinity' · Basilica di Santa Maria Novella official page · Commission history cross-checked against eclecticlight.co restoration-history account

Pray with this every day  ›

Printed on demand. Public-domain masterwork, reproduced from a 5,753 px master of the original. The whole image is printed — never cropped to fit the sheet — so every sheet carries an archival margin, and the dimensions and resolution listed above are the ones you receive.