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The Crucifixion with the Virgin and Saint John
ca. 1624–25 · Oil on canvas · The Metropolitan Museum of Art
For Good Friday
Sizes
image 16.1×24 in on a 18×24 in sheet
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Hahnemühle Photo Rag, 308 gsm cotton rag · pigment inks · printed to order
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All editionsAbout this painting
Two pairs of bare feet stand in the dust, and between them a skull lies at the foot of the Cross. Our Lady presses her hands together at her breast; Saint John, hands clasped too, looks up with his mouth open; Christ hangs between them, blood running from His hands. Hendrick ter Brugghen painted it about 1624-25 and made it look a century older: The Met says the rigorous symmetry, the flat star-studded sky and the contorted, bleeding body deliberately recall early sixteenth-century German painting, coveted by collectors of his day. It was made for a Catholic's private prayer, and the Virgin and John, the museum says, stand in for our own agonised looking. Wayne Franits notes Christ's distinctly greenish flesh and reads the skull and bones as a poignant vanitas. Two of them look up. The third place is yours.
Sources: The Metropolitan Museum of Art, New York, 'The Crucifixion with the Virgin and Saint John', 56.228; read 2026-09-24. · Wayne Franits, 'Hendrick ter Brugghen's Paintings of the Crucifixion in New York and Turin and the Problem of His Early Chronology', Journal of Historians of Netherlandish Art 9, no. 1 (2017); read 2026-09-24.
When Jesus therefore had seen his mother and the disciple standing whom he loved, he saith to his mother: Woman, behold thy son.
John 19:26 · Douay-Rheims (Challoner)