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The Crowning with Thorns by Titian, c. 1570s, Alte Pinakothek, Munich
Crowning with Thorns

The Crowning with Thorns

c. 1570s · Canvas · Bayerische Staatsgemäldesammlungen — Alte Pinakothek, München

For Good Friday

Sizes

image 9×14 in on a 11×14 in sheet

The museum’s file supports 11×14 in at 293 dpi; a larger sheet would fall below our floor.

What is dpi?

Dots per inch: how many pixels of the museum’s file go into each inch of paper. Our floor is 240 for sheets up to 20 inches, 180 up to 36 inches and 120 beyond, because a larger print is seen from further away. We never offer a sheet below the floor, and the number on each size is the one you receive.

Hahnemühle Photo Rag, 308 gsm cotton rag · pigment inks · printed to order

Printed to order · the whole painting, never cropped · if it arrives damaged, we replace it

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About this painting

Staves cross over one bowed head, and the men holding them lean in with their whole weight. Christ sits on the step, eyes down, a white cloth at His shoulders. Matthew tells it as a coronation turned to mockery: a crown of thorns, a reed, a bent knee. The Alte Pinakothek describes the tormentors pressing the crown down onto Christ's head with sticks while He stays composed, the sombre atmosphere underlining the brutality. Beth Harris and Steven Zucker point to the torches at the upper right, thick white and gold paint, and figures coming out of darkness into a shallow space; it was said, they note, that the late Titian painted with his hands. Thirty years earlier, in the version now in the Louvre, he set the same scene below a bust inscribed TIBERIVS CAESAR. Here there is no emperor, only the one they are mocking.

Sources: Alte Pinakothek, Munich, inv. 2272, collection record · Beth Harris and Steven Zucker, Smarthistory, 9 Dec 2015 · Musee du Louvre, Departement des Peintures · Utpictura18, Aix-Marseille Universite, notice 6771 · Matthew 27:29-30 (NABRE), USCCB · arthistoricum.net (Fachinformationsdienst Kunst), Lektion XVI, 'Tizians Altartafeln'. · Luke 3:1, Douay-Rheims (Challoner).

And platting a crown of thorns, they put it upon his head, and a reed in his right hand. And bowing the knee before him, they mocked him, saying: Hail, King of the Jews.

Matthew 27:29 · Douay-Rheims (Challoner)

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The Record
Date c. 1570s
Collection Alte Pinakothek, Munich
Subject Crowning with Thorns
Season Lent, Holy Week
Master 4,104 px
License The painting is public domain; the photograph is by José Luiz Bernardes Ribeiro under CC BY-SA 4.0
Attribution Bayerische Staatsgemäldesammlungen — Alte Pinakothek, München · 2272

The original, as its museum records it

Artist Tiziano Vecellio, gen. Tizian
Date um 1570
Medium Canvas
Dimensions 280 x 182 cm
Holding Bayerische Staatsgemäldesammlungen — Alte Pinakothek, München · 2272

Every line above is reproduced from the holding institution’s own catalogue entry, which is linked. Where their title, date or attribution differs from ours, theirs is the one printed here.

The file this print is made from

Source The Crowning with Thorns by Titian - Alte Pinakothek - Munich - Germany 2017.jpg
Master 4,104 px on the long edge
Rights The painting is in the public domain; the photograph is credited below

Photograph: José Luiz Bernardes Ribeiro, CC BY-SA 4.0

At a glance
ArtistTitian (Italian, c. 1488–1576)
Datec. 1570s
MuseumBayerische Staatsgemäldesammlungen — Alte Pinakothek, München
Accession2272
MediumCanvas
Dimensions280 x 182 cm
Sheet sizes11×14 in
Provenance of the file
Held byBayerische Staatsgemäldesammlungen — Alte Pinakothek, München · 2272 the museum’s record
Source fileWikimedia Commons · The Crowning with Thorns by Titian - Alte Pinakothek - Munich - Germany 2017.jpg
LicenceThe painting is public domain; the photograph is by José Luiz Bernardes Ribeiro under CC BY-SA 4.0
Master2,648 × 4,104 px, the file our printer receives
ChainTaken from Wikimedia Commons; held as our print master.

The sheets

11×14 in sheet 11×14 in · image 9×14 in · archival margin · 293 dpi

Printed on demand. Public-domain masterwork, reproduced from a 4,104 px master of the original. The whole image is printed — never cropped to fit the sheet — so every sheet carries an archival margin, and the dimensions and resolution listed above are the ones you receive.