MONSTRANCE
The Archangel Raphael and Tobias — Titian
Sanctuary Edition

The Archangel Raphael and Tobias

Titian (Italian, c. 1488–1576)
Date c. 1512
Collection Gallerie dell'Accademia, Venice
Subject Angels
Season Ordinary Time
Master 9,206 px
License Public domain
Attribution Gallerie dell'Accademia, Venezia · 1325

The original, as its museum records it

Artist Tiziano Vecellio
Medium Panel
Dimensions 170 × 149 cm
Holding Gallerie dell'Accademia, Venezia · 1325

Every line above is reproduced from the holding institution’s own catalogue entry, which is linked. Where their title, date or attribution differs from ours, theirs is the one printed here.

The file this print is made from

Source The Archangel Raphael and Tobias (by Titian) – Gallerie dell'Accademia, Venice.jpg
Master 9,206 px on the long edge
Rights Public domain — the photograph as well as the painting

Sizes

18×24 in$140
sheet 18×24 in · image 18×20.7 in · archival margin · 444 dpi
24×36 in$190
sheet 24×36 in · image 24×27.6 in · archival margin · 333 dpi
32×48 in$340
sheet 32×48 in · image 32×36.8 in · archival margin · 250 dpi
40×60 in$480
sheet 40×60 in · image 40×46 in · archival margin · 200 dpi
View in the gallery

About this painting

In Tobit the boy does not know his companion is an angel. Titian gives him wings. Tobias holds a gutted fish; his other hand is closed in the archangel's, who shows him the road. The dog, named twice in the book, watches him. Merchant families ordered such panels when a son first left home, to invoke Raphael's protection. It stood on Raphael's altar in Santa Caterina until the Napoleonic suppressions.

Slit the fish open, the angel had said, keep the gall: it is useful for medicine. The father waits blind at home. The cure is in the boy's hand.

Sources: Gallerie dell'Accademia di Venezia, scheda 'L'arcangelo Raffaele e Tobiolo', inv. 1325 · New American Bible, Revised Edition, Tobit 6 (USCCB) · New American Bible, Revised Edition, Tobit 11 (USCCB) · Douay-Rheims (Challoner), Tobit 6:1, from data/bible_drc.js · Lisa Battagliotti (cur.), «Cave canem» alle Gallerie dell'Accademia, Itinerari nel bestiario veneziano 13, Università Ca' Foscari Venezia / Gallerie dell'Accademia di Venezia (introduzione di Stefano Riccioni) · Douay-Rheims (Challoner), Tobit 5:6, from data/bible_drc.js

And not knowing that he was an angel of God, he saluted him, and said: From whence art thou, good young man?

Tobit 5:6 · Douay-Rheims (Challoner), from the project’s own corpus at data/bible_drc.js

Pray with this every day  ›

Printed on demand. Public-domain masterwork, reproduced from a 9,206 px master of the original. The whole image is printed — never cropped to fit the sheet — so every sheet carries an archival margin, and the dimensions and resolution listed above are the ones you receive.