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Descent of Christ into Limbo
c. 1474-1479 · Oli i daurat sobre fusta conífera (oil and gilding on conifer wood) · Museu Nacional d'Art de Catalunya
Sizes
image 18×23.3 in on a 18×24 in sheet
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Dots per inch: how many pixels of the museum’s file go into each inch of paper. Our floor is 240 for sheets up to 20 inches, 180 up to 36 inches and 120 beyond, because a larger print is seen from further away. We never offer a sheet below the floor, and the number on each size is the one you receive.
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All editionsAbout this painting
Christ steps barefoot onto the fallen door and takes an old man by the hand. Behind Him the souls kneel naked with their hands joined, and the demons look on from the fire. Bartolomé Bermejo brought the north's oil into Aragon, and the Museu Nacional d'Art de Catalunya names his realism one without idealisations. The museum makes this one of four compartments of a predella on Christ the Redeemer, from a documented altarpiece for Santo Domingo de Silos at Daroca; Cèsar Favà and Mireia Mestre argue the four hung two by two, flanking a tabernacle, about 1474 to 1479. The door lies flat, and an old man kneels on it.
Sources: Museu Nacional d'Art de Catalunya, Barcelona, 'Descent of Christ into Limbo', inv. 015872-000, purchase 1914; object page read 2026-08-27. · Cèsar Favà and Mireia Mestre, Àrea d'Art Medieval, Museu Nacional d'Art de Catalunya, 'The panels of Christ the Redeemer by Bermejo', museum research post, 2 May 2019.
In which also coming he preached to those spirits that were in prison:
1 Peter 3:19 · Douay-Rheims (Challoner)