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Saint John the Baptist in the Wilderness by The Limbourg Brothers, 1405–1408/9, The Metropolitan Museum of Art, The Cloisters
The Book of Hours

Saint John the Baptist in the Wilderness

1405–1408/9 · Ink, tempera, and gold leaf on vellum · The Metropolitan Museum of Art, The Cloisters

For the Nativity of Saint John the Baptist · 24 June

Sizes

image 7.1×10 in on a 8×10 in sheet

What is dpi?

Dots per inch: how many pixels of the museum’s file go into each inch of paper. Our floor is 240 for sheets up to 20 inches, 180 up to 36 inches and 120 beyond, because a larger print is seen from further away. We never offer a sheet below the floor, and the number on each size is the one you receive.

Hahnemühle Photo Rag, 308 gsm cotton rag · pigment inks · printed to order

Printed to order · the whole painting, never cropped · if it arrives damaged, we replace it

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About this painting

Saint John the Baptist stands barefoot in a tawny coat and holds the Lamb on one arm, pointing to Him with the other hand. A bear climbs a tree, a boar noses among the trunks, and the two men beside him, the Met says, remain unidentified. The Limbourg brothers made this the first of four full-page illuminations before the Mass for the Nativity of Saint John the Baptist, three of them added beyond the book's original plan. Below, the text runs in a single column of alternating red and blue ink. The wilderness is full of beasts, and the only one he lifts is the Lamb of God.

Sources: The Metropolitan Museum of Art, The Art of Illumination, 'John the Baptist in the Wilderness, Folio 211r', Belles Heures, 54.1.1, read 2026-09-24 · The Metropolitan Museum of Art, The Art of Illumination, 'Masses, Prayers, and the Story of Saint John the Baptist' (2010), read 2026-09-24 · The Metropolitan Museum of Art, The Cloisters Collection, The Belles Heures of Jean de France, duc de Berry, 54.1.1a, b, object record, read 2026-09-24

And in those days cometh John the Baptist preaching in the desert of Judea.

Matthew 3:1 · Douay-Rheims

Pray with this every day  ›
The Record
Date 1405–1408/9
Collection The Metropolitan Museum of Art, The Cloisters
Subject The Book of Hours
Season Advent, Ordinary Time
Master 3,690 px
License PD/CC0
Attribution The Metropolitan Museum of Art, The Cloisters · 54.1.1a, b

The original, as its museum records it

Artist Herman, Paul, and Jean de Limbourg (Franco-Netherlandish, active in France by 1399–1416)
Date 1405–1408/9
Medium Ink, tempera, and gold leaf on vellum
Dimensions 9 3/8 x 6 5/8 in. (23.8 x 16.8 cm)
Holding The Metropolitan Museum of Art, The Cloisters · 54.1.1a, b

Every line above is reproduced from the holding institution’s own catalogue entry, which is linked. Where their title, date or attribution differs from ours, theirs is the one printed here.

The file this print is made from

Source DP253017.jpg
Master 3,690 px on the long edge
Rights PD/CC0 — the photograph as well as the painting
At a glance
ArtistHerman, Paul, and Jean de Limbourg (Franco-Netherlandish, active in France by 1399–1416)
Date1405–1408/9
MuseumThe Metropolitan Museum of Art, The Cloisters
Accession54.1.1a, b
MediumInk, tempera, and gold leaf on vellum
Dimensions9 3/8 x 6 5/8 in. (23.8 x 16.8 cm)
Sheet sizes8×10 in, 11×14 in
Provenance of the file
Held byThe Metropolitan Museum of Art, The Cloisters · 54.1.1a, b the museum’s record
Source fileThe Met’s own open-access file
Licencepublic domain; the file released under CC0
Master2,616 × 3,690 px, the file our printer receives
ChainTaken from The Met’s own open-access file; held as our print master.

The sheets

8×10 in sheet 8×10 in · image 7.1×10 in · archival margin · 369 dpi
11×14 in sheet 11×14 in · image 9.9×14 in · archival margin · 264 dpi

Printed on demand. Public-domain masterwork, reproduced from a 3,690 px master of the original. The whole image is printed — never cropped to fit the sheet — so every sheet carries an archival margin, and the dimensions and resolution listed above are the ones you receive.