Judith Beheading Holofernes
The original, as its museum records it
Every line above is reproduced from the holding institution’s own catalogue entry, which is linked. Where their title, date or attribution differs from ours, theirs is the one printed here.
The file this print is made from
Sizes
About this painting
Judith takes the sword to Holofernes at the stroke itself, not after. What the maid holds open is a food bag. She had refused his table, 'lest sin come upon me,' eating what she carried; the sack that kept her clean of him now holds his head. The Kimbell reads the light down her arms as divine.
Its first owner, the banker Ottavio Costa, hung a silk curtain over it and forbade by will its sale or removal from the family. It surfaced only in the 1950s, discovered in an Italian family's collection. The curtain worked.
Sources: Kimbell Art Museum, 'Caravaggio's Judith Beheading Holofernes', loan from Palazzo Barberini, 2025-26 · Kimbell Art Museum, 'Guest of Honor: Kimbell Presents Caravaggio's Judith Beheading Holofernes' · Nova Vulgata, Liber Iudith 13:9-10 (Holy See) · Douay-Rheims (Challoner), Judith 12:2 · Minneapolis Institute of Art, 'Last chance to see Caravaggio at Mia, though the story will remain' · Minneapolis Institute of Art, exhibition page, 'Caravaggio's Judith and Holofernes' · Douay-Rheims (Challoner), Judith 12:19
And she struck twice upon his neck, and cut off his head, and took off his canopy from the pillars, and rolled away his headless body.
Judith 13:10 · Douay-Rheims (Challoner), from the project’s own corpus at data/bible_drc.js
Printed on demand. Public-domain masterwork, reproduced from a 7,595 px master of the original. The whole image is printed — never cropped to fit the sheet — so every sheet carries an archival margin, and the dimensions and resolution listed above are the ones you receive.