MONSTRANCE
The Seven Works of Mercy — Caravaggio
Sanctuary Edition

The Seven Works of Mercy

Caravaggio (Italian, 1571–1610)
Date 1606–07
Collection Pio Monte della Misericordia, Naples
Subject The Seven Works of Mercy
Season Ordinary Time
Master 15,707 px
License PD/CC0
Attribution Pio Monte della Misericordia, Napoli

The original, as its museum records it

Artist Michelangelo Merisi da Caravaggio
Date 1606-1607
Holding Pio Monte della Misericordia, Napoli
Accession none — this work has never left the church it was painted for, and a work in situ carries no inventory number

Every line above is reproduced from the holding institution’s own catalogue entry, which is linked. Where their title, date or attribution differs from ours, theirs is the one printed here.

The file this print is made from

Source The Seven Works of Mercy-Caravaggio (1607).jpg
Master 15,707 px on the long edge
Rights PD/CC0 — the photograph as well as the painting

Sizes

18×24 in$140
sheet 18×24 in · image 15.6×24 in · archival margin · 654 dpi
24×36 in$190
sheet 24×36 in · image 23.5×36 in · archival margin · 436 dpi
32×48 in$340
sheet 32×48 in · image 31.3×48 in · archival margin · 327 dpi
40×60 in$480
sheet 40×60 in · image 39.1×60 in · archival margin · 262 dpi
View in the gallery

About this painting

Seven works of mercy in one canvas, and one incident has to do double duty: the woman feeding her imprisoned father at her own breast is both feeding the hungry and visiting the prisoner. Samson drinks from the jawbone. St James arrives at a door. St Martin cuts his cloak. Of the dead man being carried out, you see only his feet.

The Virgin leans over a Naples street rather than a heaven.

Caravaggio painted it under a death sentence for murder, for four hundred ducats.

Sources: the institution's own reading of each incident — Cimon nursed by Pero doing two works at once, Samson's jawbone, St James known by his shell, St Martin's cloak, the corpse carried out — and the agreed price of 400 ducats · the Pio Monte was founded in 1602 by seven young Neapolitan noblemen, and the painting is its ‘manifesto’ · burying the dead is not among the works named in Matthew 25 and had to be defended from Tobit and from Augustine · Gallerie d'Italia — Napoli (Intesa Sanpaolo), collection entry for Caravaggio, 'Martyrdom of Saint Ursula', 1610; museum's online masterpieces catalogue, accessed 16 August 2026

For I was hungry, and you gave me to eat: I was thirsty, and you gave me to drink: I was a stranger, and you took me in:

Matthew 25:35 · Douay-Rheims (Challoner), from the project’s own corpus at data/bible_drc.js

Pray with this every day  ›

Printed on demand. Public-domain masterwork, reproduced from a 15,707 px master of the original. The whole image is printed — never cropped to fit the sheet — so every sheet carries an archival margin, and the dimensions and resolution listed above are the ones you receive.