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The Meditation on the Passion
ca. 1490 · Oil and tempera on wood · The Metropolitan Museum of Art, New York
Sizes
image 13.5×11 in on a 14×11 in sheet
What is dpi?
Dots per inch: how many pixels of the museum’s file go into each inch of paper. Our floor is 240 for sheets up to 20 inches, 180 up to 36 inches and 120 beyond, because a larger print is seen from further away. We never offer a sheet below the floor, and the number on each size is the one you receive.
Hahnemühle Photo Rag, 308 gsm cotton rag · pigment inks · printed to order
Printed to order · the whole painting, never cropped · if it arrives damaged, we replace it
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All editionsAbout this painting
Christ sits dead on a broken throne, and two old men keep watch without a word. The Metropolitan Museum calls it a meditation on death and resurrection: the body displayed on a throne inscribed in pseudo-Hebrew, a bird, symbol of the soul, flying upward. The Old Testament prophet Job sits on an inscribed block; opposite him is Saint Jerome, who wrote a commentary on the book of Job. The land, barren on one side and lush on the other, alludes, the Met says, to death and life. Carpaccio leaves a skull in the dust, and the crown of thorns lies on the ground.
Sources: The Metropolitan Museum of Art, New York, 'The Meditation on the Passion', accession 11.118; read 2026-08-27. · Atara Moscovich, 'The Lion and the Wisdom - The Multiple Meanings of the Lion as One of the Keys for Deciphering Vittore Carpaccio's Meditation on the Passion', Religions 10, no. 5 (2019): art. 344, DOI 10.3390/rel10050344; open access, read 2026-08-27.