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St John the Evangelist on Patmos by Hieronymus Bosch, c. 1495–1500, Gemäldegalerie, Staatliche Museen zu Berlin
Saints

St John the Evangelist on Patmos

c. 1495–1500 · Öl & Eichenholz (oil, oak wood) · Gemäldegalerie, Staatliche Museen zu Berlin

For Saint John the Evangelist · 27 December

Sizes

image 6.7×10 in on a 8×10 in sheet

What is dpi?

Dots per inch: how many pixels of the museum’s file go into each inch of paper. Our floor is 240 for sheets up to 20 inches, 180 up to 36 inches and 120 beyond, because a larger print is seen from further away. We never offer a sheet below the floor, and the number on each size is the one you receive.

Hahnemühle Photo Rag, 308 gsm cotton rag · pigment inks · printed to order

Printed to order · the whole painting, never cropped · if it arrives damaged, we replace it

Free shipping, included in the price, to all eight countries we ship to. Dispatched in 2–4 working days — nothing to send back if it arrives damaged.

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About this painting

The eagle is a falcon. Hieronymus Bosch gave Saint John's bird the form he knew better, the Gemäldegalerie says, and set it to guard the pen and inkpot at the saint's feet while a demon in spectacles, a burning ball on its head, reaches for them with an iron rake. John sees none of it. Pen in hand, book open on his knee, he looks up past an angel on the hill to the pale sun, where Our Lady, the woman of the Apocalypse, sits on the crescent moon with the Christ Child, crowned with stars. Out on the water the ships burn. The pen keeps moving.

Sources: Staatliche Museen zu Berlin, Gemäldegalerie, 'Johannes auf Patmos / Szenen der Passion Christi', Inv. 1647A, museum-digital record (text from 200 Meisterwerke, 2019), read 2026-09-24

And a great sign appeared in heaven: A woman clothed with the sun, and the moon under her feet, and on her head a crown of twelve stars.

Apocalypse 12:1 · Douay-Rheims (Challoner)

Pray with this every day  ›
The Record
Date c. 1495–1500
Collection Gemäldegalerie, Staatliche Museen zu Berlin
Subject Saints
Season Ordinary Time
Master 26,871 px
License Public domain
Attribution Gemäldegalerie, Staatliche Museen zu Berlin · 1647A

The original, as its museum records it

Artist Hieronymus Bosch (1450-1516)
Date 1495-1500
Medium Öl & Eichenholz (oil, oak wood)
Dimensions Bildmaß: Johannes 62,8 x 43,2 cm; Bildmaß: Passion 63 x 43,3 cm; Rahmenaußenmaß: 74,9 x 55,5 x 7,5 cm
Holding Gemäldegalerie, Staatliche Museen zu Berlin · 1647A

Every line above is reproduced from the holding institution’s own catalogue entry, which is linked. Where their title, date or attribution differs from ours, theirs is the one printed here.

The file this print is made from

Source John of Patmos, 1505.jpg
Master 26,871 px on the long edge
Rights Public domain — the photograph as well as the painting
At a glance
ArtistHieronymus Bosch (Netherlandish, 1450–1516)
Datec. 1495–1500
MuseumGemäldegalerie, Staatliche Museen zu Berlin
Accession1647A
MediumÖl & Eichenholz (oil, oak wood)
DimensionsBildmaß: Johannes 62,8 x 43,2 cm; Bildmaß: Passion 63 x 43,3 cm; Rahmenaußenmaß: 74,9 x 55,5 x 7,5 cm
Sheet sizes8×10 in, 11×14 in, 16×20 in, 18×24 in, 24×36 in, 32×48 in, 40×60 in
Provenance of the file
Held byGemäldegalerie, Staatliche Museen zu Berlin · 1647A the museum’s record
Source fileWikimedia Commons · John of Patmos, 1505.jpg
LicencePublic domain
Master17,909 × 26,871 px, the file our printer receives
ChainTaken from Wikimedia Commons; held as our print master.

The sheets

8×10 in sheet 8×10 in · image 6.7×10 in · archival margin · 2687 dpi
11×14 in sheet 11×14 in · image 9.3×14 in · archival margin · 1919 dpi
16×20 in sheet 16×20 in · image 13.3×20 in · archival margin · 1344 dpi
18×24 in sheet 18×24 in · image 16×24 in · archival margin · 1120 dpi
24×36 in sheet 24×36 in · image 24×36 in · archival margin · 746 dpi
32×48 in sheet 32×48 in · image 32×48 in · archival margin · 560 dpi
40×60 in sheet 40×60 in · image 40×60 in · archival margin · 448 dpi

Printed on demand. Public-domain masterwork, reproduced from a 26,871 px master of the original. The whole image is printed — never cropped to fit the sheet — so every sheet carries an archival margin, and the dimensions and resolution listed above are the ones you receive.