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The Adoration of the Magi
c. 1440–1460 · tempera on poplar panel · National Gallery of Art, Washington
For the Epiphany · 6 January
Sizes
image 12×12 in on a 12×12 in sheet
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Dots per inch: how many pixels of the museum’s file go into each inch of paper. Our floor is 240 for sheets up to 20 inches, 180 up to 36 inches and 120 beyond, because a larger print is seen from further away. We never offer a sheet below the floor, and the number on each size is the one you receive.
Hahnemühle Photo Rag, 308 gsm cotton rag · pigment inks · printed to order
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All editionsAbout this painting
A king kneels in the grass and bends his head to the Child, and the line behind him runs back up the mountain. Riders, camels and walkers come through an arch in a ruined wall; men in loincloths stand on the stones; a peacock sits on the roof of the shed. The National Gallery of Art traces Florence's Epiphany festival every January 6 to at least 1390, run by 1417 by the Compagnia de' Magi on Medici money. The gallery tells two friars' hands apart: the Virgin's delicate face is Fra Angelico's, the sturdier Joseph and kings Fra Filippo Lippi's. The whole road ends in Our Lady's lap.
Sources: National Gallery of Art, Washington, collection highlight 'Fra Angelico, Fra Filippo Lippi, The Adoration of the Magi', 1952.2.2, read 2026-09-24 · National Gallery of Art, Washington, object page 1952.2.2 (meta description), read 2026-09-24 · National Gallery of Art, Washington, open-data release (published_images.csv, assistive description of the primary image of object 41581), read 2026-09-24 · National Gallery of Art, Washington, open-data release (objects.csv, object 41581), read 2026-09-24
And entering into the house, they found the child with Mary his mother, and falling down they adored him: and opening their treasures, they offered him gifts; gold, frankincense, and myrrh.
Matthew 2:11 · Douay-Rheims (Challoner)