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The Lamentation of Christ by Circle of Hugo van der Goes, c. 1500–c. 1525, Museum voor Schone Kunsten Gent (MSK)
Lamentation of Christ

The Lamentation of Christ

Circle of Hugo van der Goes (Early Netherlandish, c. 1440–1482)

c. 1500–c. 1525 · oil paint, panel · Museum voor Schone Kunsten Gent (MSK)

For Good Friday

Sizes

image 20×14.7 in on a 20×16 in sheet

What is dpi?

Dots per inch: how many pixels of the museum’s file go into each inch of paper. Our floor is 240 for sheets up to 20 inches, 180 up to 36 inches and 120 beyond, because a larger print is seen from further away. We never offer a sheet below the floor, and the number on each size is the one you receive.

Hahnemühle Photo Rag, 308 gsm cotton rag · pigment inks · printed to order

Printed to order · the whole painting, never cropped · if it arrives damaged, we replace it

Free shipping, included in the price, to all eight countries we ship to. Dispatched in 2–4 working days — nothing to send back if it arrives damaged.

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About this painting

The body of Christ lies across the front, cut off by the edge, the side wound running red toward the sheet. Our Lady has nothing to hold, so she holds her own hands together. Everyone presses close; the Museum voor Schone Kunsten Gent says these close-up figures fill the whole surface to heighten the drama. The museum names Joseph of Arimathea and Nicodemus carrying Christ, Saint John comforting His Mother, Mary Magdalene at the top right. A painter in the circle of Hugo van der Goes made this copy of a lost original, one of his most copied works. His dead weight rests on the living.

Sources: Museum voor Schone Kunsten Gent, inv. 1951-M, object record · MSK Gent, 'The Lamentation of Christ', collection page · Vlaamse Kunstcollectie, De Vlaamse Primitieven, 'De bewening van Christus', inv. 1951-M · Vlaamse Kunstcollectie, Flemish Primitives, biography of Hugo van der Goes · The National Gallery, London, artist record: Hugo van der Goes · Douglas Brine (Trinity University, San Antonio), review of 'Hugo van der Goes: Between Pain and Bliss', Gemäldegalerie, Staatliche Museen zu Berlin, 31 March - 16 July 2023, Historians of Netherlandish Art Reviews · John 19:38-41, Douay-Rheims

Pray with this every day  ›
The Record
Date c. 1500–c. 1525
Collection Museum voor Schone Kunsten Gent (MSK)
Subject Lamentation of Christ
Season Lent, Holy Week
Master 6,757 px
License PD/CC0
Attribution Museum voor Schone Kunsten Gent (MSK) · 1951-M

The original, as its museum records it

Artist Anonymous Master, circle of Hugo van der Goes
Date circa 1500 - circa 1525
Medium oil paint, panel
Dimensions 43.6 x 56.5 cm
Holding Museum voor Schone Kunsten Gent (MSK) · 1951-M

Every line above is reproduced from the holding institution’s own catalogue entry, which is linked. Where their title, date or attribution differs from ours, theirs is the one printed here.

The file this print is made from

Source De bewening van Christus, Hugo van der Goes, 1500, Koninklijk Museum voor Schone Kunsten Gent, 1951-M.jpg
Master 6,757 px on the long edge
Rights PD/CC0 — the photograph as well as the painting
At a glance
ArtistCircle of Hugo van der Goes (Early Netherlandish, c. 1440–1482)
Datec. 1500–c. 1525
MuseumMuseum voor Schone Kunsten Gent (MSK)
Accession1951-M
Mediumoil paint, panel
Dimensions43.6 x 56.5 cm
Sheet sizes16×20 in, 18×24 in, 24×36 in
Provenance of the file
Held byMuseum voor Schone Kunsten Gent (MSK) · 1951-M the museum’s record
Source fileWikimedia Commons · De bewening van Christus, Hugo van der Goes, 1500, Koninklijk Museum voor Schone Kunsten Gent, 1951-M.jpg
LicenceCreative Commons Zero, Public Domain Dedication
Master6,757 × 4,962 px, the file our printer receives
ChainTaken from Wikimedia Commons; held as our print master.

The sheets

16×20 in sheet 20×16 in · image 20×14.7 in · archival margin · 338 dpi
18×24 in sheet 24×18 in · image 24×17.6 in · archival margin · 282 dpi
24×36 in sheet 36×24 in · image 32.7×24 in · archival margin · 207 dpi

Printed on demand. Public-domain masterwork, reproduced from a 6,757 px master of the original. The whole image is printed — never cropped to fit the sheet — so every sheet carries an archival margin, and the dimensions and resolution listed above are the ones you receive.