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The Annunciation
c. 1423/1424 · tempera (and possibly oil glazes) on panel · National Gallery of Art, Washington
For the Annunciation · 25 March
Sizes
image 7.7×10 in on a 8×10 in sheet
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Dots per inch: how many pixels of the museum’s file go into each inch of paper. Our floor is 240 for sheets up to 20 inches, 180 up to 36 inches and 120 beyond, because a larger print is seen from further away. We never offer a sheet below the floor, and the number on each size is the one you receive.
Hahnemühle Photo Rag, 308 gsm cotton rag · pigment inks · printed to order
Printed to order · the whole painting, never cropped · if it arrives damaged, we replace it
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All editionsAbout this painting
A ray of gold lines comes down from the ceiling toward Our Lady, and a small book lies open in her lap, her fingers across some of the words. The National Gallery of Art transcribed the page: virgo concipiet et pariet filium, a virgin shall conceive and bear a son. It is Isaiah, coming true under her hand. Gabriel kneels with his arms crossed. Mary's head is bowed, her other hand at her breast. Fifteenth-century viewers knew three stages in her answer, startled, reflecting, submitting, and the Web Gallery of Art reads this pose as the second. Masolino da Panicale sets a blue arch scattered with stars between them. "Who having heard, was troubled at his saying and thought with herself what manner of salutation this should be." Heaven waits on her thought.
Sources: National Gallery of Art, Washington, 'The Annunciation', accession 1937.1.16, inscription section, read 2026-08-31 and 2026-09-01. · Isaiah 7:14-15, Vulgate and Douay-Rheims (Challoner). · National Gallery of Art, Washington, provenance entity 'Hugo Richard Charteris, 11th earl of Wemyss', listing and image description for The Annunciation, read 2026-08-31 and 2026-09-01. · Web Gallery of Art, 'The Annunciation by MASOLINO da Panicale', commentary. · National Gallery of Art, Washington, artist page 'Masolino da Panicale'. · Google Arts & Culture, National Gallery of Art record 'The Annunciation', details and provenance fields. · National Gallery of Art, Washington, 'The Annunciation', legacy object page, bibliography, read 2026-09-01.
Who having heard, was troubled at his saying and thought with herself what manner of salutation this should be.
Luke 1:29 · Douay-Rheims (Challoner)