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The Nativity by Piero della Francesca, early 1480s, The National Gallery, London
Nativity

The Nativity

early 1480s · Oil on wood (probably poplar) · The National Gallery, London

For Christmas · 25 December

Sizes

image 8×8.2 in on a 8×10 in sheet

What is dpi?

Dots per inch: how many pixels of the museum’s file go into each inch of paper. Our floor is 240 for sheets up to 20 inches, 180 up to 36 inches and 120 beyond, because a larger print is seen from further away. We never offer a sheet below the floor, and the number on each size is the one you receive.

Hahnemühle Photo Rag, 308 gsm cotton rag · pigment inks · printed to order

Printed to order · the whole painting, never cropped · if it arrives damaged, we replace it

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About this painting

The Christ Child lies naked on a corner of His Mother's blue mantle, on the bare ground, and she kneels over Him with her hands together. The National Gallery reads Piero della Francesca's arrangement as Saint Bridget of Sweden's vision, Mary kneeling over the newborn Christ in place of the older reclining Virgin, and its technical study found the light through the broken roof, with no cast shadows, set there on purpose to mark a vision rather than daylight. Five angels sing, two with lutes. On the roof a magpie sits; Sarah Kent reads it as stilled by their song and bearing witness with the rest. Behind stand the ox and the ass, which tradition, as Naomi Grant notes, held to have known Christ before men did. Old inventories place the work in a bedchamber of the painter's family palace at Sansepolcro. The earth under the Child is only earth.

Sources: The National Gallery, London, Piero della Francesca, 'The Nativity', NG908. · National Gallery, 'Restoring Piero della Francesca's Nativity' · Naomi Grant, "At the National Gallery: 'The Nativity' Restored," London Review of Books, vol. 45 no. 14 (2023) · "In time for Christmas: London's National Gallery unveils newly-restored Piero della Francesca nativity scene," The Art Newspaper, 29 November 2022 · Sarah Kent, "Yuletide Scenes: Piero della Francesca's Nativity", theartsdesk.com, 21 December 2015.

And she brought forth her first born son and wrapped him up in swaddling clothes and laid him in a manger: because there was no room for them in the inn.

Luke 2:7 · Douay-Rheims (Challoner)

Pray with this every day  ›
The Record
Date early 1480s
Collection The National Gallery, London
Subject Nativity
Season Advent, Christmas
Master 6,000 px
License PD/CC0
Attribution The National Gallery, London · NG908

The original, as its museum records it

Artist Piero della Francesca
Date Early 1480s
Medium Oil on wood (probably poplar)
Dimensions 124.4 × 122.6 cm
Holding The National Gallery, London · NG908

Every line above is reproduced from the holding institution’s own catalogue entry, which is linked. Where their title, date or attribution differs from ours, theirs is the one printed here.

The file this print is made from

Source Piero della Francesca 041.jpg
Master 6,000 px on the long edge
Rights PD/CC0 — the photograph as well as the painting
At a glance
ArtistPiero della Francesca (Italian, c. 1415–1492)
Dateearly 1480s
MuseumThe National Gallery, London
AccessionNG908
MediumOil on wood (probably poplar)
Dimensions124.4 × 122.6 cm
Sheet sizes8×10 in, 11×14 in, 16×20 in, 18×24 in, 24×36 in
Provenance of the file
Held byThe National Gallery, London · NG908 the museum’s record
Source fileWikimedia Commons · Piero della Francesca 041.jpg
LicencePublic domain
Master5,852 × 6,000 px, the file our printer receives
ChainTaken from Wikimedia Commons; held as our print master.

The sheets

8×10 in sheet 8×10 in · image 8×8.2 in · archival margin · 732 dpi
11×14 in sheet 11×14 in · image 11×11.3 in · archival margin · 532 dpi
16×20 in sheet 16×20 in · image 16×16.4 in · archival margin · 366 dpi
18×24 in sheet 18×24 in · image 18×18.5 in · archival margin · 325 dpi
24×36 in sheet 24×36 in · image 24×24.6 in · archival margin · 244 dpi

Printed on demand. Public-domain masterwork, reproduced from a 6,000 px master of the original. The whole image is printed — never cropped to fit the sheet — so every sheet carries an archival margin, and the dimensions and resolution listed above are the ones you receive.